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playful cubes for storytelling, brainstorming ideas or playing games in three dimensions

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an ongoing programme enabling residents at Proboscis studio to create eBooks and StoryCubes for their own projects.

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Articles tagged with: history

Home » eBooks, Short Work
Charter of Liberties, People’s Charter & Charter 88
Submitted by on February 6, 2009 – 8:47 amNo Comment

charters_uk_cover

Download A4 | US Letter PDF 290Kb

About : This eBook contains the texts of three key charters of rights spanning almost 900 years. The first, originally published in 1100, was the Charter of Liberties confirmed by King Henry I on securing his throne despite widespread opposition. His reign was subsequently regarded as a golden age of the rule of law and justice, particularly as it was followed by a brutal civil war.

The People’s Charter of 1838 was a response to the Great Reform Act of 1832 which widened the franchise, but stopped short of universal male suffrage, secret ballot, and other elements of parliamentary reform. It was supported by working class ‘Chartists’ seeking representation through enfranchisement and participation in the parliamentary process through MP’s being paid (not having to rely on private wealth).

Charter 88 was a demand for a written constitution, electoral and constitutional reform for the UK arising out of the period of the Thatcher government. Many of its demands are still unmet and pertinent today – visit Unlock Democracy to follow their recent projects.

First Published in 1100, 1838 and 1988
Sourced from Wikipedia, www.thechartists.net and www.britannia.com

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Home » eBooks, Short Work
1689 Bills of Rights
Submitted by on February 5, 2009 – 8:39 amNo Comment

bill_of_rights_cover

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About : The 1689 Bill of Rights is an Act of the English Parliament setting out the rights of citizens and the relationship between the Crown and Parliament. It was passed, after the Glorious Revolution of 1688, by the dual monarchs William III and Mary II and declared James II’s flight from the country to be an abdication of the throne. The Bill of Rights is one of the cornerstones of the ‘unwritten’ English constitution, as well as a predecessor of the US Bill of Rights and is also enshrined in the laws of many countries of the former British Empire.

First Published 1689
Sourced from The Constitution Society

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Home » eBooks, Short Work
Sea Shanties
Submitted by on November 18, 2008 – 12:10 pmOne Comment

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Sea Shanties Volume 1 A4 | US Letter PDF 360kb
Sea Shanties Volume 2 A4 | US Letter PDF 395kb

Selected and Introduced for Short Work by Francis McKee, director of Glasgow International (2004-08), CCA Glasgow and Research Fellow at Glasgow School of Art.

Beyond society’s canons of literature there are the outlaws – songs and stories that survive in the wild. Sea shanties are among the hardiest of these forms and all the more remarkable for having their roots in a vanished world of sailing ships. There is a raw surrealism in sea shanties that is bred from endless nights in the belly of tomb-like wooden hulks floating on deep swelling oceans. The wild ramblings (‘Cape Cod kids ain’t got no sleds/They slide down the hills on codfish heads’) are tempered by the disciplined, rope burned, rhythms of the nautical work song. It is this emphasis on hard manual labour, combined with a sailor’s wicked word play, which gives these songs their enduring appeal. You can sense their influence behind Shakespeare’s sea song in The Tempest:

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes;
Nothing of him that does fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong,
Hark! Now I hear them – Ding-dong, bell.

And you can hear them lurking in the sailors’ song in Thomas Pynchon’s Mason & Dixon – ‘Sumatra, where the girls all look like Cleopatra, and when you’re done you’ll simply barter…’ Sea shanties move with a swagger. They tempt purple prose and have given birth to long rambling movies from Moby Dick to Pirates of the Caribbean. They’re proof that not all our genetic code is in the marrow – some of it is in songs like these.

This selection is taken from the collection of Andrew Draskóy on his website Shanties and Sea Songs. As he suggests these lyrics are best heard sung and three good albums provide a starting point:

  • Sailor’s Songs and Sea Shanties (Highpoint, 2004)
  • Blow the Man Down: a Collection of Sea Songs & Shanties (Topic, 1995)
  • Rogue’s Gallery: Pirate Ballads, Sea Songs and Chanteys (Epitaph, 2006)
November 2008

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Home » eBooks
Perception Peterborough – lines of mobility by Proboscis
Submitted by on October 28, 2008 – 2:47 pmOne Comment

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About : Lines of Mobility is a brief exploration of the role that the railways played in shaping the social, environmental and spatial landscape of Peterborough. It is one of three eBooks created by Proboscis as part of a pack of ‘Impressions’ of the city, its people and environment for the Perception Peterborough project. Lines of Mobility was created and designed by Karen Martin.

Perception Peterborough is a dynamic and creative visioning project which brought together key local representatives with creative thinkers to develop innovative approaches to the challenges and opportunities facing Peterborough. Proboscis was commissioned to develop and lead a series of creative workshops alongside consultants Haring Woods Associates

Published September 2008

Proboscis is a non-profit, artist-led creative studio based in London, UK. The team working on Perception Peterborough were: Alice Angus, Niharika Hariharan, Matt Huynh, Giles Lane, Karen Martin, Carmen Vela Maldonado and Orlagh Woods.

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  • Perception Peterborough | metaspectiveblog
    [...] can also download the beautiful eBooks created by Proboscis as part of the impressions here. Share this:TwitterFacebookLike this:Like [...]
    Comment posted on 5-13-2013 at 12:57

Home » eBooks, Residencies
Button Doll by Lisa Hunter
Submitted by on August 14, 2008 – 12:48 pm2 Comments

Download A4 | US Letter PDF 1.4Mb

About : This eBook is one component of the Community Story Telling Project of the Dundas Museum and Archives, a series of initiatives which offer opportunities for sharing memories, ideas and stories. The eBook was developed by Lisa Hunter during a residency with Proboscis in July/August 2008, and focuses on a unique and popular object in the collection of the Dundas Museum and Archives, the Button Doll. This unusual object was created between 1929 and 1932 by Emma Lewis of Hamilton, Ontario, Canada, and was donated to the museum in 1964. This eBook invites museum visitors to look carefully at the doll, and share their reflections and observations about it.  A series of eBooks focusing on a variety of objects in the collection of the museum will be produced using this format. 

Published August 2008

Lisa Hunter is Collections Manager at the Dundas Museum and Archives, a community history museum in Dundas, Ontario, Canada.  In addition to caring for a large social history collection, she develops exhibitions and related community outreach projects.  She has worked in a variety of roles in museums and galleries across Canada, and holds a Master of Museum Studies from the University of Toronto.

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  • l wilson
    hi, my friend and i are trying to revive button doll making and have recently hand written a book which…
    Comment posted on 5-3-2009 at 21:03
  • Deb
    great site!! definitely worth bookmarking
    Comment posted on 1-15-2009 at 21:49

Home » eBooks, Residencies
The Ballad of Louis The Monkey (part 3) by Andrew Hunter
Submitted by on August 1, 2008 – 12:07 pmNo Comment

Download A4 | US Letter PDF 3.1Mb

About : Part of an ongoing series of narrative projects by Canadian artist, writer and curator Andrew Hunter. Inspired by a found stuffed toy, the series features a central character whose history and identity is constantly evolving and shifting based on the context of each presentation. This eBook captures the core elements of the third project in the series which took place in Hamilton, Ontario, Canada in the spring of 2008. Previous projects have been presented at Harbourfront Centre (Toronto) and the Anna Leonowens Gallery at NSCAD University (Halifax, Nova Scotia). 

Published August 2008

Andrew Hunter is the Director/Curator of RENDER, an interdisciplinary art based research, teaching, production and presentation centre at the University of Waterloo, Canada. Hunter also works as an independent artist, writer, and curator and has produced exhibitions, writings and publications for art galleries and museums across Canada, in the United States and Europe. He was a contributor to the Proboscis project Navigating History.

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