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Graffito Vintage Festival ScrapBook A4 only PDF 875Kb
Graffito ScrapBook (blank) A4 | US Letter PDF  400Kb

About : A scrapbook of screen grabs from the Graffito iPhone/iPad App as used by festival-goers in the Warehouse Tent at Vintage in Goodwood Park. The images were captured live and printed out via Bluetooth on a Polaroid PoGo printer and stuck into an eNotebook during the event by Jennifer Sheridan (project leader of Graffito) – working from the control booth. See more photos of it in action on Flickr. The ScrapBook is a tangible souvenir for any of the people who played with Graffito at the Festival to have as a memento of the experience they took part in. We’ll be exploring other ways to use bookleteer, eBooks and StoryCubes to make more personalised tangible souvenirs for Graffito users in the near future.

Make Your Own Graffito ScrapBook
If you have an iPhone or iPad, download Graffito free from the AppStore, play and draw with it, capture your favourite images as they happen and print out the pictures to stick in your own Graffito ScrapBook.

Published August 2010

Jennifer Sheridan is a researcher, interaction designer, digital artist and founder of Big Dog Interactive. She is leading the Graffito project with partners : Interactional Sound and Music Group at Queen Mary University of London, Mixed Reality Lab at University of Nottingham, Glasgow University and Proboscis. Graffito is supported by Horizon Digital Economy Research Institute.

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About : One of a series of publications to be produced by DodoLab as part of their ongoing work in Windsor/Detroit in collaboration with Broken City Lab, Green Corridor and the Tug Collective. This publication is the first in a series related to a community research project called Cemetery Litmus Test led by DodoLab Director Andrew Hunter. The goal of the project is to explore the old tombstones and cemeteries in Windsor (Canada) and Detroit (USA) that are close to the Ambassador Bridge, one of the primary trade and transport links between Canada and the United States. DodoLab is interested in looking at the excessive decay of old tombstones as signs of air born pollution in the region. The Cemetery Litmus Test is one of a number of projects DodoLab will be running and/or collaborating on in Windsor/Detroit over the coming years.

Published May 2010

Andrew Hunter is Director of DodoLab and Adjunct Faculty and Researcher at Waterloo Architecture Cambridge (University of Waterloo). DodoLab is an arts-based creative research program that employs experimental and adaptive processes to spark positive change and resiliency. Led by Andrew Hunter with Lisa Hirmer, DodoLab’s focus is the complex relationships between people and their surroundings and how communities define, and are defined by, their environment. DodoLab puts the creative process at the heart of confronting social and environmental challenges and exploring barriers to adaptation and resiliency. DodoLab is based in Cambridge, Ontario, and is a program of Musagetes and Waterloo Architecture.

Andrew Hunter continues to also work as an artist, writer, independent curator and educator. He has produced exhibitions, site projects, publications and writings for institutions across Canada in the United States and Europe. He has produced a distinct body of work on Canadian art and culture consistently emphasizing a broader vision embracing social and environmental issues and exploring nationalism, myths and popular culture. Collaboration has been central to Hunter’s practice for many years as his projects regularly include the commissioned and collaborative contributions of other creative practitioners, students and family members.

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About : Travelling Through Layers is inspired by the discussions that took place during and after Paralelo : Technology and Environment, a meeting point for artists, designers and researchers in Sao Paulo in March/April 2009. A version of this publication was included in the publication Paralelo – Unfolding Narratives: in Art, Technology & Environment published by MIS, British Council & Virtueel Platform (2010).

Published May 2010

Alice Angus, co-director of Proboscis, is an artist inspired by rethinking concepts and perceptions of landscape and human relationships to the land. Over the last six years she has been creating a body of art work exploring concepts proximity and remoteness, technology and presence, against the lived experience and local knowledge of a place. In 2003, Alice was the only non-Canadian to participate in the first Artist in the Park residency in Ivvavik National Park in the Northern Yukon, organised by Parks Canada.

Giles Lane is an artist, researcher and teacher. He founded and is co-director of Proboscis, a non-profit creative studio based in London where, since 1994, he has led projects such as Urban Tapestries; Snout; Mapping Perception; Experiencing Democracy; Everyday Archaeology; and Private Reveries, Public Spaces. Giles is a Visiting Tutor on the MA Design Critical Practice at Goldsmiths College (University of London) and is a Research Associate of the Media and Communications Department at London School of Economics. Giles was elected a Fellow of the Royal Society of Arts in 2008 for his contribution to community development through creative practice.

Orlagh Woods is an artist whose work explores how diverse people and communities engage with each other and their environment – how they connect, communicate and are perceived both through digital and non-digital means. She has been working with Proboscis since 2004 and also curates a professional development programme for British Asian theatre company, Tamasha, in London.

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Book of Ideas A4 | US Letter PDF 1.2Mb
Future Scenarios A4 | US Letter PDF 1.2Mb
Research A4 | US Letter PDF 1.3Mb
Tell Me A Story A4 | US Letter PDF 1.7Mb

About : Articulating Futures is a 4 day workshop that was designed and facilitated by Niharika Hariharan, commissioned and creatively supported by Proboscis (London) to mobilize young students to creatively think and articulate issues that are important to them and their future as young Indians. The first series of these workshops were held at Chinmaya Mission Vidyalaya, New Delhi between the 17th-20th November, 2009. These eNotebooks were created to help the students organise and share their ideas across the workshop, combining English & Hindi.

Working in collaboration with tutors, filmmakers and artists, Articulating Futures investigated subjects ranging from the change of identity of young Indians, their views on language, traditional cultures and the importance of a global/local societies. Through discussion, debate and creative exploration, this workshop resulted in a range of exciting and insightful ideas and scenarios developed by 16 year old Indian students that showcase their vision of themselves as unique in a fast developing homogenous culture in modern India.
You can read about the project in detail at http://articulatingfutures.wordpress.com/

Published December 2009

Niharika Hariharan is a narrative designer and a filmmaker, keen on working and exploring the intersection of design with related and non-related fields such as sociology, sciences, education and traditional knowledge systems. She has worked on numerous multi-disciplinary projects in the realm of social and community design, developing innovative research methodologies, scenario building and story telling techniques. Niharika was awarded the ‘TATA scholar’ in 2007 and her work has been exhibited at many national and international festivals and events.
www.niharikahariharan.com

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