About : a participant eNotebook for conference delegates to record and share their experiences at Enter Conference, Cambridge, April 2007 made by Proboscis as part of the Public Authoring Zone.
Published April 2007
Proboscis is an artist-led creative studio based in London, UK.
About: a sample learning eNotebook for a UK Online Centre project.
Published April 2007
Kevin Harris is a community development consultant and writer (Local Level). He blogs on neighbourhoods, neighbourliness, social capital and life at local level.
About : Art and archaeological practice are closer than some might think. Some artists work with archaeological material, and will interpret archaeological sites through a diversity of approaches and media – musical composition, performance, photography and video installations for example. For some archaeologists, landscape art and sculpture is (or quickly becomes) archaeological. Even the processes overlap: archaeological fieldwork can be considered performance art; while the very creation of artistic works reflects that of archaeological records, of material cultures – ‘incavation’, as well as excavation. In this book, these areas of overlap are assessed specifically in the context of artists and archaeologists working with and from places of recent conflict, places which are now widely accepted as part of the cultural heritage, and as archaeological sites and landscapes.
Published October 2006
John Schofield – Following a PhD in prehistoric archaeology, John Schofield has turned his archaeological lens on the ‘contemporary past’, the world we ourselves have helped shape and form in our everyday lives. Much of this work has concerned military archaeology – from individual bunkers to vast militarised landscapes. But more recently these interests have extended to the wider social and political landscapes. In undertaking this work John has developed a particular interest in the close proximity of archaeological and artistic practices, and in anthropology and cultural geography. Numerous of his projects – in Nevada, Malta and Berlin – include elements of all of these. John has worked for English Heritage since 1989. He is also a visiting lecturer in archaeology at the University of Southampton, and a visiting fellow at the University of Bristol.
Heath Bunting was born a Buddhist in Wood Green, London, UK and is able to make himself laugh. He is a co-founder of both net.art and sport-art movements and is banned for life from entering the USA for his anti GM work. His self taught and authentically independent work is direct and uncomplicated and has never been awarded a prize or been bought or sold. He is both Britain’s most important practising artist and The World’s most famous computer artist. He aspires to be a skillful member of the public and is producing an expert system for identity mutation. http://irational.org/heath/
Pre-aged anonymous future « Piece of Paper Press [...] available in the Diffusion format is Heath Bunting’s ‘Single Step Guide to Success — Day Planning’. the introduction to… Comment posted on 12-8-2010 at 10:20
Abstract : an eNotebook learning diary created for Year 4 students at Jenny Hammond Primary school during the Everyday Archaeology project, June 2006, as part of Social Tapestries.
Published June 2006
Loren Chasse is a sound artist and educator based in San Francisco, California.
Giles Lane is founder and Co-Director of Proboscis.
Orlagh Woods works for Proboscis as part of the core team with particular responsibility for creative development and evaluation.
About : an eBook documenting the outcomes of the Pollution Mapping Workshop on London Fields held at Space Media in November 2005. Created for the Social Tapestries project, Robotic Feral Public Authoring.
Published November 2005
Proboscis is an artist-led studio. The creative team on this project included Alice Angus, Camilla Brueton, Giles Lane & Orlagh Woods.
About : an eNotebook for residents of the Havelock Estate to record and share information, stories or memories etc about the local environment. Created by Proboscis as part of our Social Tapestries project, Conversations and Connections (2005-06), funded by the Ministry of Justice.
Published November 2005
Proboscis is an artist-led studio. The creative team on this project included Alice Angus, Camilla Brueton, Kevin Harris, Giles Lane & Orlagh Woods.
About : an eNotebook created by Proboscis for a community workshop on pollution sensing in London Fields, held at Space Media in November 2005. The workshop was part of the Social Tapestries project, Robotic Feral Public Authoring.
Published November 2005
Proboscis is an artist-led studio. The creative team on this project included Alice Angus, Camilla Brueton, Giles Lane & Orlagh Woods.
Louise K Wilson is a visual artist, whose work includes installations, sound pieces and videos. Recent works spring from a curiosity about how flight affects our physiological states and psychological selves. She has participated in an experiment in zero gravity, co-opted a team of air traffic controllers in formation cycling on the runway at Newcastle Airport and been a passenger in an aerobatics plane looping the loop. Her research has involved associations with Montreal Neurological Institute, the Science Museum, the Yuri Gagarin Cosmonaut Training facility in Moscow, the RSPB and the Tyne and Wear Fire and Rescue Service.
About : Confluences, Interfaces and Passages, on the meeting of things and the spaces between
This eBook by Canadian visual artist Joyce Majiski, is a glimpse of her musings, observations and far fetched connections made between the Yukon wild landscape and inner city London, England.
Published November 2005
Joyce Majiski is an artist, biologist, naturalist and guide whose work with printmaking, installations, artists books and video focuses on the natural world and relationships between nature and humans. Her recent projects include the groundbreaking Three Rivers project where the Canadian Parks and Wilderness Service invited prominent artists, writers and journalists to join native people on three simultaneous journeys along the Snake, the Wind, and the Bonnet Plume rivers. www.joycemajiski.com
Kate Foster is the Leverhulme Artist in Residence in the Department of Geographical and Earth Sciences at the University of Glasgow. In addition to her practice as an artist she is also a lay member of the University Biodiversity Working Party. Her research involves making tangential environmental histories, mainly through the recoverable biographies of particular specimens in natural history collections; re-working classic museum habitat dioramas in the context of current human and physical geographical thinking. Her current projects include “BioGeoGraphies” a project drawing upon concerns within Geographical and Earth Sciences as well as Biological Science.
Dr Hayden Lorimer is a lecturer in the Department of Geographical and Earth Sciences at the University of Glasgow whose research focuses on Scotland in the past century exploring the geographical dimensions of landscape, nature, fieldwork, science, memory, mobility and biography. His ongoing research projects include; Hinterland: a cultural geography of biography, supported by an award from the AHRB, drawing the concept of biography into dialogue with cultural geography: and Pedestrian geographies: walking, knowing and placing Scotland’s mountains, supported by the ESRC, casts Scotland’s mountains as complex, hybrid spaces where people negotiate relationships with the natural environment.
Minna Tarkka is a researcher, critic and producer. She is director of m-cult, centre for new media culture in Helsinki. This article is a work-in-progress version of a chapter in her doctoral dissertation Performing new media.
About : Drawing observations from a pilot arts and science research project (Choreography and Cognition 2004/05) this essay explores connections between choreographic processes and the study of movement and the brain/ mind. It describes some of the productive relationships that emerged from the intersection between the different perspectives, vocabularies and understandings shared during this project, and how these can inform creative thinking in a range of practices.
Published June 2005
Scott deLahunta works from his base in Amsterdam as a researcher, writer, consultant and organiser on a wide range of international projects bringing performing arts into conjunction with other disciplines and practices. He is an Associate Research Fellow at Dartington College of Arts, Research Fellow with the Art Theory and Research and Art Practice and Development Research Group, Amsterdam School for the Arts, and Affiliated Researcher with Crucible (Cambridge University Network for Interdisciplinary Research). He lectures on the Amsterdam Master in Choreography and serves on the editorial boards of Performance Research, Dance Theatre Journal and the International Journal of Performance and Digital Media.
Nina Czegledy, media artist, curator and writer, has collaborated on international projects, produced digital works and has lead and participated in workshops, forums and festivals worldwide. Resonance Electromagenticbodies, Digitized Bodies Virtual Spectacles and the Aurora projects reflect her art and science interest. She exhibited as part of ICOLS and showed with the Girls and Guns Collective. Czegledy curated and presented internationally numerous media art programs. Points of Entry an Australian/New Zealand digital arts collaboration was initiated by Czegledy. Her academic lectures lead to publications in books and journals in Europe, North and South America and Asia. Czegledy is the president of Critical Media, Senior Fellow of KMDI, University of Toronto, Assooiate Adjunct Professor, Studio Arts, Concordia University, Honorary Fellow of the Moholy Nagy University of Art & Design, co-chair of the Leonardo Education Forum and member of Leonardo SpaceArt Network. She has been appointed by the UNESCO DigiArts Portal as a Key Advisor and is a moderator of Leonardo’s Yasmin group. Nina Czegledy is the outgoing Chair of the Inter Society for Electronic Arts.
About : documentation of the outcomes from a Social Tapestries Creative Lab and Bodystorming Experience held at the London School of Economics in September 2004.
Published October 2004
Giles Lane is Founder and Co-Director of Proboscis
About : We cannot read the traces we leave behind as we walk in the urban sprawl, yet there is a recognition imprinted on the cognitive stratum that associates what we see before us as somewhere we have been before. Unlike the topographical representation of the map, the mind recalls these places within a framework of memory and association. Collating information and throwing back a flicker of a time passed when least expected; the human mind creates an emotive map of the urban centre, fabricated from stories, traces and chance occurrences.
This eBook was produced in repsonse to this site for the ARTitecture 2004 exhibition at the Collins Gallery, curated by Daisy Watson. It takes the site of the Rottenrow Maternity Hospital in Glasgow, Scotland as a starting point for this site-responsive text.
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Comment posted on 11-22-2007 at 17:37