playful cubes for storytelling, brainstorming ideas or playing games in three dimensions
Diffusion engaging with the community, online and out in the world.
an ongoing programme enabling residents at Proboscis studio to create eBooks and StoryCubes for their own projects.
eBooks & StoryCubes created for learning and educational purposes
Browse the collection of Diffusion Shareables: eBooks & StoryCubes
Download A4 | US Letter PDF 464Kb
About to come
Published November 2005
Louise K Wilson is a visual artist, whose work includes installations, sound pieces and videos. Recent works spring from a curiosity about how flight affects our physiological states and psychological selves. She has participated in an experiment in zero gravity, co-opted a team of air traffic controllers in formation cycling on the runway at Newcastle Airport and been a passenger in an aerobatics plane looping the loop. Her research has involved associations with Montreal Neurological Institute, the Science Museum, the Yuri Gagarin Cosmonaut Training facility in Moscow, the RSPB and the Tyne and Wear Fire and Rescue Service.
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About : We cannot read the traces we leave behind as we walk in the urban sprawl, yet there is a recognition imprinted on the cognitive stratum that associates what we see before us as somewhere we have been before. Unlike the topographical representation of the map, the mind recalls these places within a framework of memory and association. Collating information and throwing back a flicker of a time passed when least expected; the human mind creates an emotive map of the urban centre, fabricated from stories, traces and chance occurrences.
This eBook was produced in repsonse to this site for the ARTitecture 2004 exhibition at the Collins Gallery, curated by Daisy Watson. It takes the site of the Rottenrow Maternity Hospital in Glasgow, Scotland as a starting point for this site-responsive text.
Published June 2004
Lucy Gibson is an artist.
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About : Two figures stand motionless in a courtyard. The City spins its daily routines around them as they stare fixedly at each other. Locked by a shared past but without any present, these two near strangers exist for each other only in memory yet their physical presence in this place is heightened because of their chance meeting.
Taking the hybrid public/private space of an office courtyard, ‘Past Standing’ is a fictional narrative that addresses the conflict between remembered time and real time. Moving between past and present tense, between memory and reality, it creates a space in which we can exist for a short time as we read. We join the other users of this square, spinning around the central characters, observing them from the varying perspectives of him, her and the CCTV camera.
Published July 2003
bio to come
Download A4 | US Letter PDF 596Kb
About to come
Published May 2003
Melanie Jackson is an artist. Publications include Library Re-locations/ The Brazen Oracle (Bookworks 1997), soil and seawater (Matt’s Gallery/CBAT 1999), Lost Horizons (Camberwell Press 2000) and Some Things You Are Not Allowed To Send Around The World (Matt’s Gallery 2003). Melanie Jackson teaches Time Based Art at the Royal College of Art, London and is represented by Matt’s Gallery.
Download A4 | US Letter PDF 468Kb
About to come
Published June 2002
Roshini Kempadoo is a digital practitioner and Senior Lecturer at the University of East London in digital media and has degrees in Visual Communication and Photographic Studies. She is currently undertaking an MPhil in Fine Art at Goldsmiths College, London. She uses digital media and networked environments to re-present historical and archaeological material into a contemporary environment. This contemporary expression locates and visualises colonial history, stories and locations.
Download A4 | US Letter PDF 164Kb
About to come
Published June 2002
Gair Dunlop is an artist whose work inquires into the relation of identity, place, and the body. This has meant working with dance theatre groups, visitors to heritage environments, museum curators and staff and the public; on internet works, large-scale photographic pieces and short films. The process of dialogue is central to his practice. He recently worked with Scottish Natural Heritage on the island of Eigg and in Oban, making a piece with local children on their relation to the marine environment.
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About to come
Published June 2002
Mohini Chandra is currently AHRB Research Fellow in the Fine and Performing Arts in the Photography Department of the Royal College of Art. Mohini is an installation artist working in a variety of media, including photography, video and film. Her recent work maps the ways in which personal memory and family history is incorporated into the lived experience of scattered diaspora family life, across great geographic and temporal distances.
Download A4 | US Letter PDF 656Kb
About to come
Published September 2000
Aaron Williamson. Performance artist, choreographer and writer Aaron Williamson takes a physical approach to performance art and installation that has been evolved in relation to his becoming deaf. Over the last ten years he has created 200 or more performances in Britain, Europe, Japan and North America. In 1997 he completed a Doctoral thesis on writing and bodily identity entitled Physiques of Inscription. Current projects include a performance installation Hearing Things that is the basis for a book publication by Bookworks in September 2000. Previous publications include A Holythroat Symposium (1993) and Cathedral Lung (1991). In 1998-99 he was Arts Council of England Fellow in Writing and Contemporary Art at Oxford University and is currently the recipient of a Live Art Bursary from London Arts Board.
Download A4 | US Letter PDF 692Kb
About to come
Published September 2000
Anne Tallentire was born in Ireland, has lived in London since 1984 and currently teaches at Central Saint Martins College of Art and Design. Performances. Exhibitions include: (1999) Venice Biennale , Lux Gallery, London; Multiples X 3, Temple Bar Gallery, Dublin; From There to Here, The Konsthallen, Gotenberg,; 0044, P.S.I, New York; and Ormeau Road Baths Gallery, Belfast; Off Site, Project Arts Centre, Dublin 1998). Since 1993, she has worked collaboratively with John Seth whilst continuing independent projects. In May 1997, their collaborative practices were formed under the name work/seth/tallentire.
Monica Ross – Often described as time-based, a central pre-occupation of her work is how culture, politics and technology shape experiences of time itself: at the time and in terms of how experience is reproduced, or not, in the present and future. Recent performances include ‘rightsrepeated- an act of memory’, in ‘Chronic Epoch’, Beaconsfield 2005 and in ‘Performing Rights’, National Review of Live Art, Glasgow, 2008. Recent exhibitions include ‘Arbeit*’, Taxi im Palais Gallery, Innsbruck, 2005, ‘Outside of a Dog: paperbacks and other books by artists’ Baltic, Gateshead 2004, and ‘justfornow’, a solo show, Hatton Gallery, Newcastle, 2004.’transcription’, a work on line, is at http://www.justfornow.net
Download A4 | US Letter PDF 204Kb
About to come
Published September 2000
Declan Sheehan is a screenwriter & critic. He has published reviews & features in Art & Text, Circa, Film West, Paris Photo and other journals; short film pieces in COIL & The Black Diamond (Trace, Liverpool Biennial of Contemporary Art); & catalogue essays on the artists Padraig Timoney & Locky Morris. Based at the Context Gallery in Derry, Ireland. He is currently researching Jean Luc-Godard’s 1963 feature Le Mepris for a planned PhD.
Download A4 | US Letter PDF 168Kb
About to come
Published September 2000
Johnny de Philo [Sue Golding] is working philosopher and working artist. head of theory at the jan van eyck akaademie, a post graduate centre in fine art, design and theory [maastricht] and reader in contemporary political philosophy, ethics and aesthetics [university of greenwich, london: on sabbatical leave]. her many published works involve questions around the body, genders, racisms, sexualities and pleasures, set out in detail in her eight technologies of otherness.
Download A4 | US Letter PDF 368Kb
About to come
Published September 2000
Vit Hopley & Yve Lomax. Since 1996 Vit Hopley and Yve Lomax have collaboratively produced a series of exhibitions and spoken performances which include Between Two Folds – an image and text installation (Gasworks Gallery 1996); Trope – image and voice (Cambridge Darkrooms Gallery 1997); Somewhere Unseen – an evening event of words and images (South London Gallery 1998); Making a Scene: Performativity and Performance in Contemporary Politics and Art Practice (Birmingham Institute of Art and Design 1999); Sleight of Hand (Five Years Gallery, London, 2000). They have had texts published in Make – the magazine of women’s art; Angelaki, the journal of theoretical humanities; and Performance Research.
Download A4 | US Letter PDF 908Kb
About to come
Published September 2000
Marina Grzinic received her Ph.D. at the Faculty of Philosophy, Ljubljana; she is a researcher at the Institute of Philosophy at the ZRC SAZU (Scientific and Research Center of the Slovenian Academy of Science and Art) Ljubljana and a freelance critic and curator. Her specialty is research of the new post socialist condition in art, culture and new media technology in the area once known as Eastern Europe. She is also involved in publishing and teaching about philosophical aspects of new technology and media (virtual reality, electronic media, time and space features).
Download A4 | US Letter PDF 168Kb
About to come
Published September 2000
Rob Gawthrop is an artist/musician who works with sound, film performance and theoretical writing. He is Head of Art at the Hull School of Art & Design, University of Lincolnshire & Humberside and is a founder member and Chair of Hull Time Based Arts.