Articles by Giles Lane
Giles Lane is founder and co-director of Proboscis. He conceived of and developed the Diffusion eBook format with Paul Farrington and designed the Proboscis StoryCube.
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About : an overview of the Urban Tapestries project by Proboscis, created for the Archilab Biennial in 2004.
Published October 2004
Giles Lane is founder and Co-Director of Proboscis.
Nick West bio to come
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About : documentation of the outcomes from a Social Tapestries Creative Lab and Bodystorming Experience held at the London School of Economics in September 2004.
Published October 2004
Giles Lane is Founder and Co-Director of Proboscis
Sarah Thelwall bio to come.
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About : We cannot read the traces we leave behind as we walk in the urban sprawl, yet there is a recognition imprinted on the cognitive stratum that associates what we see before us as somewhere we have been before. Unlike the topographical representation of the map, the mind recalls these places within a framework of memory and association. Collating information and throwing back a flicker of a time passed when least expected; the human mind creates an emotive map of the urban centre, fabricated from stories, traces and chance occurrences.
This eBook was produced in repsonse to this site for the ARTitecture 2004 exhibition at the Collins Gallery, curated by Daisy Watson. It takes the site of the Rottenrow Maternity Hospital in Glasgow, Scotland as a starting point for this site-responsive text.
Published June 2004
Lucy Gibson is an artist.
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About : documentation of a bodystorming experience workshop held at the London School of Economics in April 2004.
Published April 2004
Alice Angus is an artist and co-Director of Proboscis.
Giles Lane is founder and co-Director of Proboscis.
Victoria Peckett was an LSE student volunteer on Urban Tapestries.
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About : an introduction to the Urban Tapestries project, originally written to accompany a talk by Giles Lane for BBC R&D in March 2004.
Published March 2004
Giles Lane is founder and Co-Director of Proboscis.
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About : Two figures stand motionless in a courtyard. The City spins its daily routines around them as they stare fixedly at each other. Locked by a shared past but without any present, these two near strangers exist for each other only in memory yet their physical presence in this place is heightened because of their chance meeting.
Taking the hybrid public/private space of an office courtyard, ‘Past Standing’ is a fictional narrative that addresses the conflict between remembered time and real time. Moving between past and present tense, between memory and reality, it creates a space in which we can exist for a short time as we read. We join the other users of this square, spinning around the central characters, observing them from the varying perspectives of him, her and the CCTV camera.
Published July 2003
bio to come
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About to come
Published May 2003
Anne Sobotta has been involved with several cultural projects and organisations before starting to dedicate more time to her own writing. After a period in the UK from where she undertook three major cultural research projects for Visiting Arts and the British Council she moved to Brazil. She is currently writing a series of Brazilian chronicles while trying to give light to a couple of books projects on Brazil’s culture and society.
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About to come
Published May 2003
Melanie Jackson is an artist. Publications include Library Re-locations/ The Brazen Oracle (Bookworks 1997), soil and seawater (Matt’s Gallery/CBAT 1999), Lost Horizons (Camberwell Press 2000) and Some Things You Are Not Allowed To Send Around The World (Matt’s Gallery 2003). Melanie Jackson teaches Time Based Art at the Royal College of Art, London and is represented by Matt’s Gallery.
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About : <Code as nature, code as being here, code as process.>
Published November 2002
Michael Atavar (www.atavar.com) is an artist who works with the unconscious, using methodologies of chance and process to make performances both in real time and in the online environment. In 2001 he was artist-in-residence at the Guardian Newspaper producing a print piece for G2 magazine in an unlimited edition of 400,000 copies. Recent performances of his latest work ‘dusk’ have been at the Hayward Gallery, V&A and Artsadmin. An article in The Times by Grayson Perry about Michael Atavar can be found at http://www.atavar.com/dusk/
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About : commissioned by Proboscis as part of our Landscape and Identity, Language and Territory project in partnership with inIVA in 2002. This essay explores some of the prevailing myths about cyber-places and cyberspace, technology, communities and everyday life.
Published June 2002
Andy C Pratt is a Senior Lecturer in Human Geography at the LSE. He is Director of the MSc Cities, Space and Society. His current research is into the development of the cultural industries, new media and the role of local interaction, knowledge and innovation in this process. He is author of The Secret Life of Cities: the social reproduction of everyday life, Pearson.
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About to come
Published June 2002
Roshini Kempadoo is a digital practitioner and Senior Lecturer at the University of East London in digital media and has degrees in Visual Communication and Photographic Studies. She is currently undertaking an MPhil in Fine Art at Goldsmiths College, London. She uses digital media and networked environments to re-present historical and archaeological material into a contemporary environment. This contemporary expression locates and visualises colonial history, stories and locations.
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About to come
Published June 2002
Gair Dunlop is an artist whose work inquires into the relation of identity, place, and the body. This has meant working with dance theatre groups, visitors to heritage environments, museum curators and staff and the public; on internet works, large-scale photographic pieces and short films. The process of dialogue is central to his practice. He recently worked with Scottish Natural Heritage on the island of Eigg and in Oban, making a piece with local children on their relation to the marine environment.
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About to come
Published June 2002
Mohini Chandra is currently AHRB Research Fellow in the Fine and Performing Arts in the Photography Department of the Royal College of Art. Mohini is an installation artist working in a variety of media, including photography, video and film. Her recent work maps the ways in which personal memory and family history is incorporated into the lived experience of scattered diaspora family life, across great geographic and temporal distances.
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About to come
Published March 2002
Matt Locke is Creative Director at BBC Imagineering; a small ideas led innovations team working to combine creativity, technology and multi-disciplinary talent. Imagineering helps to develop new types of content for future audiences. Research areas include media toolkits for communities, avatars, 3D immersive environments, intelligent agents, user interface, and metadata. In addition to this, he writes and talks widely about issues related to technologies creative practise, including recent articles for Portfolio, Third Text, Public Art Journal, Transcript and Mute.
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About to come
Published March 2002
Deborah Levy is a novelist and playwright. Her most recent novel Billy and Girl (Bloomsbury/Dalkey Archives) won a Lannan Award for exceptional prose. Her writing has been widely used- and inspired by- the varied work of interdisciplinary artists, including DIARY OF A STEAK (Book Works). Her theatre texts are published in Levy: Plays 1 (Methuen). Deborah wrote The Joseph Beuys Lectures 2001 for the Laboratory at the Ruskin School of Drawing and Fine Art.
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About to come
Published March 2002
Brandon LaBelle is a sound-artist and writer. Through installation and performance his work draws attention to the dynamics of found-sound. He is a writer of essays and creative fiction, addressing issues pertaining to sound-art, architecture, and the poetics of experience. He is also the co-editor of Writing Aloud: the sonics of language and Site of Sound: of architecture and the ear, published by Errant Bodies Press.
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About : Anti-capitalist critique of hype around the electronic frontier which is still pertinent to ongoing debates about the development of Web 2.0.
Published March 2002
Stewart Home is an artist who has used social networking sites such as MySpace as the location for much of his non-gallery work in recent years. He is also the author of many books of fiction and cultural commentary, including 69 Things to do With a Dead Princess (Canongate, 2002), and The Assault on Culture: Utopian current from Lettrisme to Class War (AK Press 1991). His latest novel is Memphis Underground (Snowbooks, 2007). Online resources relating to Stewart Home’s work can be found at
www.stewarthomesociety.org
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About : Specious Spacious is based on the work of Geoeges Perec, particularly his book Species of Spaces. What interests me in Perec is how he effortlessly combines analysis, autobiography, observation, narrative, humour, tragedy, and other techniques into one text. My piece of writing goes a little way down the same path, but with its own pace.
Published March 2002
William Firebrace is author of Things Worth Seeing (Black Dog Publications) and is currently working on a book about the city of Marseille. After some years wandering in the German academic system, he currenty teaches at Universty College London and the Architectural Association.
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About : ‘Wapping Ghost Ship’ is a mash-up of nineteenth century journalism in the East End of London by the Uncommercial Traveller (aka Charles Dickens) with contemporary psychogeography by the Mass Transit Lounger (aka Steve Beard). The result is an example of Anthropofferjist fiction.
Published March 2002
Steve Beard is a writer who has produced essays for the ‘journal of fierce sociology’ Inventory, collaborated with London Fieldworks on two installations and is working with the visual artist Victoria Halford on a film about the Health and Safety Laboratory at Buxton. His essays and articles have been compiled in two volumes, Logic Bomb and Aftershocks. His latest novel is Meat Puppet Cabaret.
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About to come
Published September 2000
Aaron Williamson. Performance artist, choreographer and writer Aaron Williamson takes a physical approach to performance art and installation that has been evolved in relation to his becoming deaf. Over the last ten years he has created 200 or more performances in Britain, Europe, Japan and North America. In 1997 he completed a Doctoral thesis on writing and bodily identity entitled Physiques of Inscription. Current projects include a performance installation Hearing Things that is the basis for a book publication by Bookworks in September 2000. Previous publications include A Holythroat Symposium (1993) and Cathedral Lung (1991). In 1998-99 he was Arts Council of England Fellow in Writing and Contemporary Art at Oxford University and is currently the recipient of a Live Art Bursary from London Arts Board.
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About to come
Published September 2000
Anne Tallentire was born in Ireland, has lived in London since 1984 and currently teaches at Central Saint Martins College of Art and Design. Performances. Exhibitions include: (1999) Venice Biennale , Lux Gallery, London; Multiples X 3, Temple Bar Gallery, Dublin; From There to Here, The Konsthallen, Gotenberg,; 0044, P.S.I, New York; and Ormeau Road Baths Gallery, Belfast; Off Site, Project Arts Centre, Dublin 1998). Since 1993, she has worked collaboratively with John Seth whilst continuing independent projects. In May 1997, their collaborative practices were formed under the name work/seth/tallentire.
Monica Ross – Often described as time-based, a central pre-occupation of her work is how culture, politics and technology shape experiences of time itself: at the time and in terms of how experience is reproduced, or not, in the present and future. Recent performances include ‘rightsrepeated- an act of memory’, in ‘Chronic Epoch’, Beaconsfield 2005 and in ‘Performing Rights’, National Review of Live Art, Glasgow, 2008. Recent exhibitions include ‘Arbeit*’, Taxi im Palais Gallery, Innsbruck, 2005, ‘Outside of a Dog: paperbacks and other books by artists’ Baltic, Gateshead 2004, and ‘justfornow’, a solo show, Hatton Gallery, Newcastle, 2004.’transcription’, a work on line, is at http://www.justfornow.net
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About to come
Published September 2000
Declan Sheehan is a screenwriter & critic. He has published reviews & features in Art & Text, Circa, Film West, Paris Photo and other journals; short film pieces in COIL & The Black Diamond (Trace, Liverpool Biennial of Contemporary Art); & catalogue essays on the artists Padraig Timoney & Locky Morris. Based at the Context Gallery in Derry, Ireland. He is currently researching Jean Luc-Godard’s 1963 feature Le Mepris for a planned PhD.
![Nomadic Codes: Skin, Taste, Burn by Johnny de Philo [Sue Golding]](http://diffusion.org.uk/wp-content/themes/arthemia-premium/scripts/timthumb.php?src=http://diffusion.org.uk/wp-content/uploads/2007/10/d_pn_dephilo_cover.jpg&w=80&h=80&zc=1&q=100)
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About to come
Published September 2000
Johnny de Philo [Sue Golding] is working philosopher and working artist. head of theory at the jan van eyck akaademie, a post graduate centre in fine art, design and theory [maastricht] and reader in contemporary political philosophy, ethics and aesthetics [university of greenwich, london: on sabbatical leave]. her many published works involve questions around the body, genders, racisms, sexualities and pleasures, set out in detail in her eight technologies of otherness.
