StoryCubes

playful cubes for storytelling, brainstorming ideas or playing games in three dimensions

Community & Events

Diffusion engaging with the community, online and out in the world.

Residencies

an ongoing programme enabling residents at Proboscis studio to create eBooks and StoryCubes for their own projects.

Learning, Schools & Education

eBooks & StoryCubes created for learning and educational purposes

Library

Browse the collection of Diffusion Shareables: eBooks & StoryCubes

StoryCubes

Home » One-Off Shareables, StoryCubes
Festive Cheer from Proboscis
Submitted by on December 18, 2010 – 8:36 am2 Comments

Download A4 only PDF 1Mb

About : Season’s greeting from Proboscis with our annual Xmas Box, this year featuring 12 suggestions for New Year’s Resolutions 2011…

Published December 2010

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Home » Community Projects, eBooks, One-Off Shareables, StoryCubes
As It Comes eBook & StoryCubes by Alice Angus
Submitted by on November 11, 2010 – 12:09 am2 Comments

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eBook A4 | US Letter PDF 3.8Mb Read Online
StoryCube 1 A4 only 2.4Mb
StoryCube 2 A4 only 2.4Mb
StoryCube 3 A4 only 2.4Mb
StoryCube 4 A4 only 2.4Mb

About : an eBook and a set of StoryCubes about Alice Angus’ new project, As It Comes commissioned by Mid Pennine Arts and Lancaster District Chamber of Commerce for  their Talking Shop series. An exploration of the independent shops and market stall traders of Lancaster, Alice has created a series of drawings that are printed on 2 metre long cotton banners with hand-embroidered details, which are hung in the windows of a shop at 18 New Street on from the 10th November to 16th December 2010.

Published November 2010

Alice Angus, co-director of Proboscis, is an artist inspired by rethinking concepts and perceptions of landscape and human relationships to the land. Over the last six years she has been creating a body of art work exploring concepts proximity and remoteness, technology and presence, against the lived experience and local knowledge of a place. In 2003, Alice was the only non-Canadian to participate in the first Artist in the Park residency in Ivvavik National Park in the Northern Yukon, organised by Parks Canada.

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Home » Featured, StoryCubes, Topographies & Tales
Topographies and Tales StoryCubes by Alice Angus & Joyce Majiski
Submitted by on September 15, 2010 – 8:00 am5 Comments

Topographies & Tales StoryCubes

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T&T Cube 1 A4 only PDF 3.4Mb
T&T Cube 2 A4 only PDF 3.4Mb
T&T Cube 3 A4 only PDF 3.4Mb
T&T Cube 4 A4 only PDF 3.3Mb
T&T Cube 5 A4 only PDF 3.5Mb
T&T Cube 6 A4 only PDF 3.7Mb
T&T Cube 7 A4 only PDF 3.4Mb
T&T Cube 8 A4 only PDF 3.3Mb

About : Alice Angus and Joyce Majiski created this StoryCube set for Topographies and Tales. They are designed to be played with, used as a thinking tool for ideas about landscape, navigation, myths and  environments, belonging and home.  Pile them up together, throw them like dice, arrange into maps, build into landscapes of stories…

Topographies and Tales is about the relationship between people, identity and place. It unearths local and personal stories and myths exploring how concepts of landscape are shaped by ideas of belonging and home.

It is a personal exploration of the intimate way people form relationships with their environments, it takes a journey through the tall tales and perceptions the artists encountered on their travels in the west of Scotland and the Yukon.

Topographies and Tales was a long term collaboration between Alice Angus and Canadian artist Joyce Majiski, that included a film, creative lab and publications. The collaboration began in 2003 in Ivvavik National Park in the Canadian Arctic then in Glenmore Lodge in the Cairngorm Mountains, Scotland, the Klondike Institute for Art and Culture in Dawson City, Canada, Joyce’s Tuktu Studio in Whitehorse and the Proboscis Studio in London.

For further information on Topographies and Tales see:
proboscis.org.uk/tag/topographies-and-tales/

View the animated film: Topographies and Tales, 12 min
http://proboscis.org.uk/1340/topographies-and-tales/

Published September 2010

Alice Angus, co-director of Proboscis, is an artist inspired by rethinking concepts and perceptions of landscape and human relationships to the land. Over the last six years she has been creating a body of art work exploring concepts proximity and remoteness, technology and presence, against the lived experience and local knowledge of a place. In 2003, Alice was the only non-Canadian to participate in the first Artist in the Park residency in Ivvavik National Park in the Northern Yukon, organised by Parks Canada.

Joyce Majiski is an artist, biologist, naturalist and guide whose work with printmaking, installations, artists books and video focuses on the natural world and relationships between nature and humans. Her recent projects include the groundbreaking Three Rivers project where the Canadian Parks and Wilderness Service invited prominent artists, writers and journalists to join native people on three simultaneous journeys along the Snake, the Wind, and the Bonnet Plume rivers. www.joycemajiski.com

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5 comments - Latest by:
  • Giles Lane
    Fixed.
    Comment posted on 10-15-2012 at 16:40
  • Michael
    TT cubes 5 to 7 need different links http://diffusion.org.uk/storycubes/TTcube5_cube_portrait_2pp_A4.pdf
    Comment posted on 10-5-2012 at 13:11
  • October Newsletter | Proboscis
    [...] Topographies and Tales StoryCubes by Alice Angus & Joyce Majiski http://diffusion.org.uk/?p=2140A StoryCube about bookleteer.com by Proboscis http://diffusion.org.uk/?p=2135 My Work…
    Comment posted on 10-27-2010 at 11:21
  • Proboscis Newsletter October 2010 | newmediafix.net
    [...] Topographies and Tales StoryCubes by Alice Angus & Joyce Majiski http://diffusion.org.uk/?p=2140 A StoryCube about bookleteer.com by Proboscis http://diffusion.org.uk/?p=2135 My…
    Comment posted on 10-26-2010 at 13:56
  • Some Recent PPOD books | bookleteer blog
    [...] full of QR codes. The StoryCubes included an 8 cube ‘cube of cubes’ set by artists Joyce Majiski and…
    Comment posted on 10-8-2010 at 15:32

Home » One-Off Shareables, StoryCubes
A StoryCube about bookleteer.com by Proboscis
Submitted by on September 14, 2010 – 8:00 am2 Comments

Download A4 only PDF 6.2Mb

About : A simple StoryCube created by Giles Lane, Karen Martim & Hazem Tagiuri as a promotional device for bookleteer.com

Published September 2010

2 comments - Latest by:
  • Some Recent PPOD books | bookleteer blog
    [...] set by artists Joyce Majiski and Alice Angus on their Topographies & Tales project, a promotional cube about bookleteer…
    Comment posted on 11-24-2011 at 13:02
  • Proboscis Newsletter October 2010 | newmediafix.net
    [...] & Joyce Majiski http://diffusion.org.uk/?p=2140 A StoryCube about bookleteer.com by Proboscis http://diffusion.org.uk/?p=2135 My Work at Proboscis by Karine Dorset http://diffusion.org.uk/?p=2130…
    Comment posted on 10-26-2010 at 13:57

Home » One-Off Shareables, StoryCubes
Bird Song by Melissa Bliss
Submitted by on September 2, 2010 – 9:34 pm4 Comments

Download A4 only PDF 3.7Mb

About : A StoryCube created to accompany a sound installation in Chiswell Walled Garden, Isle of Portland, Dorset, UK in September 2010 for b-side festival.

Published September 2010

Melissa Bliss is an artist based in London who works with people in particular communities and geographic areas – www.livingcinema.org

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Home » eBooks, One-Off Shareables, StoryCubes
What Type Are You? A StoryCube Game by Mandy Tang
Submitted by on August 4, 2010 – 9:42 am5 Comments

Download A4 | US Letter PDF 870Kb

About : Having looked at the diverse range of published StoryCubes on the Diffusion and Bookleteer websites, I found that each had an inspiring story to tell or contained overlooked information to be acknowledged. But it wasn’t just the content of these publications which interested me, it was how the content was presented in the form of a cube.

When holding a cube you find yourself tempted to see whats on the other faces, with this in mind I decided to make a game which will go hand in hand with the eBooks. The concept of the game was fairly simple, from the starting point pick a path (line) and follow it around the cube until you reached a destination. Several paths would overlap, giving the player a choice to change direction. Once the player had reached a destination, they will use the eBook to find out its description.

With this idea it creates a different kind of interaction with the cube, instead of being guided by text, the player is free to choose and explore any chosen path. Or in some cases the player might try to work out a way to reach a specific destination.

Apart from readjusting the orientation of one or two pages, the eBook was fairly straightforward to make. Without the need of additional glue or staples and only using the slotting mechanism the finished eBook was very secure. Overall I had fun and enjoyed making the StoryCube with the eBook and look forward to seeing what other people create.

Published July 2010

Mandy Tang recently joined Proboscis as  a Creative Assistant on a 6 month placement supported by the Future Jobs Fund through New Deal of the Mind. She has worked on various iPhone games projects as a Junior Concept Artist and is currently interested in expanding her knowledge in the field of Creative Arts.

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Home » Featured, StoryCubes, Transformations
A Sort of Autobiography by Warren Craghead
Submitted by on May 17, 2010 – 9:00 am8 Comments

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StoryCube 1 – 1970 A4 only PDF 600Kb
StoryCube 2 – 1980 A4 only PDF 1.5Mb
StoryCube 3 – 1990 A4 only PDF 1.5Mb
StoryCube 4 – 2000 A4 only PDF 1.1Mb
StoryCube 5 – 2010 A4 only PDF 1.8Mb
StoryCube 6 – 2020 A4 only PDF 1.6Mb
StoryCube 7 – 2030 A4 only PDF 2Mb
StoryCube 8 – 2040 A4 only PDF 2.1Mb
StoryCube 9 – 2050 A4 only PDF 1.7Mb
StoryCube 10 – 2060 A4 only PDF 800Kb

About : “I have lived like a fool and wasted my time”, Guillaume Apollinaire
A Sort of Autobiography is a possible story of Waren Craghead’s life projected both back to his birth in 1970 and forward to his death in 2060. Each decade of his life is represented by a storycube as a rough self-portrait. Drawn in various styles and encoded in different ways, the cubes tell a story of transformations – of mark-making, of physical appearance and of a life seen through drawing.

Published May 2010 in the Diffusion Transformations series

Warren Craghead III is an artist and curator living in Charlottesville, Virginia, USA with his wife and two daughters. He is constantly drawing. His work explores spontaneous narratives that process and encode everyday life and the written word into discrete, pictographic, nonlinear stories that can be encountered everywhere: a sticker on a pole, a booklet in a newspaper, a postcard in the mail, an image on a website, a collage in a gallery. He has exhibited and published his work internationally, including the Xeric Grant winning Speedy, HOW TO BE EVERYWHERE and several collaborations with poets and writers, one of which was nominated for a Pushcart Prize in 2006. He received an MFA in 1996 from the University of Texas at Austin, and a BFA from Virginia Commonwealth University in Richmond, Virginia in 1993, and attended the Skowhegan School in 1993. More of his work can be seen at www.craghead.com

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Home » Dodolab, StoryCubes
Rijeka Site StoryCubes by Lisa Hirmer
Submitted by on May 12, 2010 – 8:00 amNo Comment


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Hartera Paper Mill 1 A4 only PDF 1.9Mb
Hartera Paper Mill 2 A4 only PDF 1.7Mb
Rijeka Breakwater 1 A4 only PDF 2.3Mb
Rijeka Breakwater 2 A4 only PDF 1.7Mb

AboutRijeka Site Storycubes – Set of 4
This set of four storycubes presents a selection of objects found at the Hartera Paper Mill and the Rijeka Breakwater – the sites selected for the Musagetes Café in Rijeka – during an advanced research visit in January of 2010. A limited edition of these cubes will be printed for DodoLab’s June residency and for participants in the Musagetes Café project in Rijeka.

Published May 2010

Lisa Hirmer has both undergraduate and graduate degrees in Architecture from Waterloo Architecture Cambridge. She joined DodoLab after completing a thesis about the significance of nature and wilderness in contemporary culture, particularly within a Canadian context. She currently splits her time between working with DodoLab and more traditional work as an Intern Architect. As an emerging landscape photographer, she is particularly interested in sites where the relationship between human intervention and natural process is ambiguous and complex. She recently won an Ontario Association of Architects Award of Excellence for her landscape photography.

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Home » Dodolab, StoryCubes
Icons of Rijeka StoryCubes by Andrew Hunter
Submitted by on May 3, 2010 – 9:00 amOne Comment


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Cube 1 A4 only PDF 2.1Mb
Cube 2 A4 only PDF 2.1Mb
Cube 3 A4 only PDF 2.6Mb
Cube 4 A4 only PDF 2.1Mb

About : Icons of Rijeka Storycubes – Set of 4
This set of four storycubes present a selection of images of signs and tags photographed by Andrew Hunter during research visits to Rijeka (Croatia) in January and April of 2010 while preparing for a public DodoLab program in the the city in the summer of 2010. The cube set compliments the Icons of Rijeka ebooks also available through Diffusion. A limited edition of these cubes will be printed for DodoLab’s June residency and for participants in the Musagetes Café project in Rijeka.

Published May 2010

Andrew Hunter is Director of DodoLab and Adjunct Faculty and Researcher at Waterloo Architecture Cambridge (University of Waterloo). DodoLab is an arts-based creative research program that employs experimental and adaptive processes to spark positive change and resiliency. Led by Andrew Hunter with Lisa Hirmer, DodoLab’s focus is the complex relationships between people and their surroundings and how communities define, and are defined by, their environment. DodoLab puts the creative process at the heart of confronting social and environmental challenges and exploring barriers to adaptation and resiliency. DodoLab is based in Cambridge, Ontario, and is a program of Musagetes and Waterloo Architecture.

Andrew Hunter continues to also work as an artist, writer, independent curator and educator. He has produced exhibitions, site projects, publications and writings for institutions across Canada in the United States and Europe. He has produced a distinct body of work on Canadian art and culture consistently emphasizing a broader vision embracing social and environmental issues and exploring nationalism, myths and popular culture. Collaboration has been central to Hunter’s practice for many years as his projects regularly include the commissioned and collaborative contributions of other creative practitioners, students and family members.

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Home » One-Off Shareables, StoryCubes
StoryCubes by Karine Dorset
Submitted by on March 16, 2010 – 1:05 pmNo Comment

Download
Twitter StoryCube A4 only PDF 850Kb
Christian Calendar 2010 StoryCube A4 only PDF  650Kb

About : “The calendar cube was about making it 3D: the fact that the cube has 12 sides fitted brilliantly with idea because there’s 12 months. I searched for and downloaded the images from www.google.co.uk, which had its own christian verses and made the calendar a bit unique. Put the cube together and get the first 6 months, then undo and redo the other side for the next six months.

The twitter cube was based on the idea of giving information on what twitter is actually about. Once again I searched for downloaded the images from www.google.co.uk, arranged them with info text, and the story cube was made, quiet easy when you have an idea to run with.”

Published March 2010

Karine Dorset is a Communications Assistant at Proboscis as part of the Future Jobs Fund Placement scheme. Originally trained as a chef, she is broadening her creative horizons and exploring other forms of creativity.

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Home » eBooks, StoryCubes, Transformations
Welcome to the Imagination Age by Rita J. King
Submitted by on March 1, 2010 – 6:05 pm2 Comments

Download
StoryCubes (27 A4 PDFs) Zip Archive 18.2Mb
eBook A4 | US Letter PDF 3.6Mb

AboutThe Imagination Age is a broad approach to rethinking systems through a prism of technology, held up to amplify the bright beam of the imagination. Both the Diffusion eBook and the Story Cubes explore The Imagination Age through the perspective outlined by Giles Lane when he commissioned the project: Transformation: How We Become Who We Are. The Story Cubes take shape across three planes of perceived reality:

Physical Reality: First, the 27 cubes were designed on paper, meant to act as a catalyst in the physical world for people to build stories the way children build castles out of blocks. I thought it would be fabulous if people could make the cubes tremendous or tiny to show the significance of each element in the overall scene of the story created anew each time the cubes are approached. In the physical world, the cubes remain stubbornly one size fits all. You can’t make some of them disappear into the ocean while others float in the sky. That can only be accomplished in the virtual world, so that’s where I went next.

Virtual Reality: For several years I have been working in the field of “virtual reality.” In the virtual world Second Life, participants create avatars for themselves and can design and collaborate on any three-dimensional content they can dream up. Second Life is a creative paradise for those with the vision to give dimension to their own previously intangible imaginations and then allow people from all over the world to enhance their created landscapes. To illustrate the installation in Second Life and segue to the third plane of reality, click the link: www.youtube.com/dancinginktv#p/u/2/Y4KwvsTEHKY

Augmented Reality: Lately, my company, Dancing Ink Productions, has been working in the field of “augmented reality,” which goes a step beyond “virtual reality” by changing the fabric of one’s immediate perceptions in the physical world. Reality is becoming a multilayered collage. 26 of the cubes correspond to letters of the Roman alphabet from which stories are told. The 27th cube has no corresponding letter, so instead, it activates the possibility for a whole new realm of understanding through an Augmented Reality marker printed on it. If you have a webcam, you can print this Augmented Reality marker out and activate the webcam at the following site: www.1000inchesinloveland.com to see the 27th cube create a new reality.

“Welcome to the Imagination Age,” documents some of the main ideas behind a worldwide collaborative movement toward a new global culture and economy in the Imagination Age. If this message of transformation speaks to you, consider it an invitation to join the experiment. Follow @RitaJKing on Twitter and ping me..

Published March 2010 in the Diffusion Transformations series

Rita J. King is CEO and Creative Director of Dancing Ink Productions. Creator of The Imagination Age. Innovator-in-Residence, IBM Analytics Virtual Center. Senior Fellow for Social Networking and Immersive Technologies at the Center for the Study of the Presidency & Congress, and a Senior Fellow at the Carnegie Council for Ethics in International Affairs, where she collaborated with Joshua S. Fouts on the “Understanding Islam through Virtual Worlds” project that spanned four continents as well as the digital culture. Investigative reporter, essayist, artist and adventurer.

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2 comments - Latest by:
  • tom
    This is all very interesting to me. Curious about the difference between a virtual second life and multiple lives…
    Comment posted on 3-2-2010 at 01:06
  • uberVU - social comments
    Social comments and analytics for this post... This post was mentioned on Twitter by proboscisstudio: new on #diffusion: Welcome…
    Comment posted on 3-1-2010 at 20:00

Home » Community Projects, One-Off Shareables, Publishing on Demand, StoryCubes
Birmingham Total Place StoryCubes by Proboscis
Submitted by on February 18, 2010 – 9:00 amNo Comment

Download
Conference Question Cube A4 only PDF 260Kb
Total Place Early Intervention Set Cube 1 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 2 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 3 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 4 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 5 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 6 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 7 A4 only PDF 2Mb
Total Place Early Intervention Set Cube 8 A4 only PDF 2Mb

About : A series of StoryCubes created by Alice Angus and Orlagh Woods of Proboscis, specially commissioned for the Early Intervention strand of Birmingham Total Place, including a set of 8 designed to bring the everyday voices of families, parents and carers into the BTP conference, and a StoryCube designed to elicit responses from the conference participants.

Published February 2010

Alice Angus, co-director of Proboscis, is an artist inspired by rethinking concepts and perceptions of landscape and human relationships to the land. Over the last six years she has been creating a body of art work exploring concepts proximity and remoteness, technology and presence, against the lived experience and local knowledge of a place. In 2003, Alice was the only non-Canadian to participate in the first Artist in the Park residency in Ivvavik National Park in the Northern Yukon, organised by Parks Canada.

Orlagh Woods is an artist whose work explores how diverse people and communities engage with each other and their environment – how they connect, communicate and are perceived both through digital and non-digital means. She has been working with Proboscis since 2004 and also curates a professional development programme for British Asian theatre company, Tamasha, in London.

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Home » One-Off Shareables, StoryCubes
Modern Romance StoryCube by We Are Words & Pictures
Submitted by on February 16, 2010 – 7:00 pmNo Comment

Download A4 only PDF 1.6Mb

About : Printed in an edition of 100 as a giveaway and designed by Julia Scheele from We Are Words & Pictures for the Modern Romance event held on February 14th 2010 at the Notting Hill Arts Club.

Published February 2010

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Home » Community & Events, Learning, Schools & Education, One-Off Shareables, StoryCubes
StoryCubes in action: workshop on Critique, Collaboration, Prototyping
Submitted by on December 3, 2009 – 9:00 amNo Comment

I recently came across Kevin Hamilton‘s Complex Fields site, and read his description of a workshop on Critique, Collaboration, Prototyping and how he used StoryCubes as part of it. I asked if he’d write a short summary to post here, which he’s kindly done:

SUMMARY: Kevin Hamilton, University of Illinois, Urbana-Champaign

In a couple of workshops now, we’ve used Storycubes to help start the group design process in a way that also establishes critical criteria for later evaluation and reflection. We’ve found that in group work, it’s all too easy to divide tasks early and not actually do the hard work of deciding together about goals, arguing about contexts and outcomes.
both

Our response to this was to devise a four-part system of critical criteria – CONTEXT, FUNCTION, PROCESS, and AUDIENCE. In the classroom, we ask groups to establish goals within each of these areas, so that they can later return to their stated goals and decide on how they achieved or departed from them. I recently married this structure to the Storycubes with some success.

The projects where I’ve used this technique involved the creation of interactive site-specific artworks. Each team received four blank cubes – one for CONTEXT, one for FUNCTION, one for PROCESS, and the fourth for AUDIENCE. I asked each team to fill each side of each cube with one possible item or goal. The result was six possible audiences, six possible functions, etcetera. The team could then mix-and-match to decide on one approach scenario to explore through physical prototyping or other methods.

One unexpected function of this process was to provide something of a “common enemy” in what for some seemed an overly artificial process. If a team’s members were new to each other or otherwise experiencing awkward interaction, they could at least unify around begrudgingly following the process of constructing Storycubes. (They eventually liked them, even if it seemed too elementary or formulaic at first.) The resulting cubes also added up to a sort of database archive for future iteration and design.

Download Kevin’s StoryCubes (PDF)

context

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Home » eBooks, StoryCubes, Transformations
Trail Song by Julie Myers
Submitted by on December 1, 2009 – 4:00 pmOne Comment

myers_trail_song_cover

myers_trail_song_cube1_a4 myers_trail_song_cube2_a4

myers_trail_song_cube3_a4 myers_trail_song_cube4_a4

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Trail Song eBook A4 | US Letter PDF 2Mb
Trail Song StoryCube  1 A4 only PDF 1.6Mb
Trail Song StoryCube  2 A4 only PDF 700Kb
Trail Song StoryCube  3 A4 only PDF 700Kb
Trail Song StoryCube  4 A4 only PDF 740Kb

About : “A Trail Song uses a well known song or tune but replaces the lyrics with words of its own. These words reference objects, people and places experienced on the journey” (Trail Songs Magazine (1954) – The Whyte Museum Archive, Banff, CAN).
In the tradition of the Trail Songs of North America, we invent lyrics as we travel from place to place. Like modern day Songlines these songs tell about the geography and the people of the landscape, each song refers to a direction or path taken and is matched to the video footage we shoot en route. The original tune is something we might overhear on a street corner, in a café or on the car radio.
www.juliemyers.org.uk/trailsong

From San Francisco, US to Banff, Canada, March 26 – April 8th 2009 – 1,345 miles by car, coach and ferry
StoryCube 1 – From Golden Gate to Fort Bragg
StoryCube 2 – From Fort Bragg to Cresent City
StoryCube 3 – From Astoria to Vancouver Island
StoryCube 4 – From Vancouver to Banff Avenue

Published December 2009 in the Diffusion Transformations series

Julie Myers is an artist and lecturer and lives in London. Using technology as a way of mediating social interactions, her work is concerned with space and place, collective knowledge and shared experience. Previous work has been commissioned by Arts Council England, NESTA, The British Film Institute, The British Council, AHRC, The Institute of Contemporary Art and The National Portrait Gallery, London. Industrial collaborators include, Adobe Systems, USA, British Telecom, UK and Philips Multi Media, FR.
http://www.juliemyers.org.uk
http://www.axisweb.org/openfrequency/juliemyers

*** made with www.bookleteer.com ***

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  • Baby Product Reviews
    Kudos for giving such a terrific website. this site happens to be not only useful but also bvery imaginative too.…
    Comment posted on 1-5-2010 at 19:30

Home » eBooks, StoryCubes, Transformations
From an outer suburban life by Linda Carroli
Submitted by on November 23, 2009 – 3:49 pm5 Comments

carroli_outer_suburban_life_cover LindaCarroli_OSL_StoryCube

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eBook A4 | US Letter PDF 500Kb
StoryCube A4 only PDF 630Kb

About : Several years ago, Linda Carroli relocated to the outer northern suburbs of Brisbane, Australia. During this time, as a result of this experience, she was moved to commence postgraduate studies in urban planning and design. Her local area bears all the hallmarks of outer suburban development and in this spatial complex she is considering how this pattern shapes us as individuals and shapes our communities. With reference to notions of ‘dwelling’ (Heidegger), ‘redirective practice’ (Fry) and ‘synoikismos’ (Ingersoll), the eBook considers local encounters, responding in small ways, in thought and act, that disrupt – and ultimately transform – the pattern of suburban life. If we transform the suburbs and our way of thinking about them, can we transform ourselves and bring new futures into the realm of possibility? Can community and gathering displace consumerism and retreat? These works reflect on such transformative potential through experience and through relationships between self, community and place.

Published November 2009 in the Diffusion Transformations series

Linda Carroli is a writer, researcher and consultant based in Brisbane, Australia. With a focus on urban environments, she works and writes at the intersection of planning, design, art and culture. She is currently working on an Australia Council funded cultural writing project titled Placing, an exploration of place writing and writing place. She also writes a regular
column about urban innovation and creativity for Arts Hub. More information at http://harbingerconsultants.wordpress.com and http://placing.wordpress.com

*** made with www.bookleteer.com ***

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  • May Newsletter | Proboscis
    [...] 3 by Tim Wright http://diffusion.org.uk/?p=1639 From an outer suburban life by Linda Carroli http://diffusion.org.uk/?p=1628 Belo Horizonte Anarchaeology by Giles Lane [...]
    Comment posted on 5-20-2010 at 09:10
  • TEMPORARY | Community Building « placeblog
    [...] specific activities and events, resources are available to the community to make the most of it. In From an…
    Comment posted on 1-31-2010 at 05:18
  • Recent eBooks made with bookleteer
    [...] is growing by the week. We’ve recently published new Transformations series commissions by Linda Carroli, Julie Myers and Will Davies…
    Comment posted on 12-14-2009 at 16:59
  • uberVU - social comments
    Social comments and analytics for this post... This post was mentioned on Twitter by proboscisstudio: new on #diffusion: From…
    Comment posted on 11-23-2009 at 22:52
  • Twitted by TommyManuel
    [...] This post was Twitted by TommyManuel [...]
    Comment posted on 11-23-2009 at 16:51

Home » Publishing on Demand, StoryCubes
Custom printed StoryCubes with bookleteer
Submitted by on October 9, 2009 – 3:15 pm2 Comments

3995694240_04d3be1eab

Not all StoryCubes are published just on Diffusion – some are printed on card and distributed as physical objects. We’ve printed a StoryBox of 8 cubes about Proboscis’ projects, a special illustrated set by Australian comic artist Matt Huynh and our own set about Under-Used Assets for Perception Peterborough as well as one off cubes for projects like DodoLab Montreal and Social Tapestries.

Now with bookleteer it has become even easier not only to create beautiful StoryCubes, but to have them printed as physical objects too. Last week we produced a stunning example for Birkbeck College’s In the Shadow of Senate House – from design to delivery in a week. Alongside these were two special cubes made as a promotional items for some up and coming bands, as well as limited editions of StoryCubes commissioned as part of our Transformations series.

The arrival of bookleteer makes it extraordinarily easy to create single or double sided StoryCubes for creative projects, marketing campaigns, games and events. Prices start at 87 pence per cube (plus set up, delivery & VAT) with a minimum order of 250 – not necessarily one design : a single order could be 1 each of 250 different cubes, or 50 copies of 5 cubes, or in fact any combination of copies and designs (i.e. there’s no need to order even quantities of each design).

If you’d like to know more or want to try something out please get in touch with us at sales at proboscis.org.uk

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  • andy
    ordinary mortals a chance to buy the same sort of gear that celebrities wear!
    Comment posted on 10-7-2010 at 11:25
  • more interface updating
    [...] and testing the back end for a new print on demand capability for eBooks (similar to that which we…
    Comment posted on 1-30-2010 at 11:32

Home » One-Off Shareables, StoryCubes
In the Shadow of Senate House by Hatherley, McNeile, Downing & Leslie
Submitted by on October 8, 2009 – 2:57 pmOne Comment

shadow_senate_house

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About : In The Shadow of Senate House is a research project and series of events taking place in 2009 and 2010. It explores the many resonances of London’s mini-skyscraper – as shadow cast across a site, as place of use and of passage, as a presence that masks and makes absences. More details can be found at intheshadowofsenatehouse.blogspot.com

Published October 2009 & printed in an edition of 250

Owen Hatherley is a freelance writer, a PhD student at Birkbeck, and author of Militant Modernism (Zero Books, 2009)’.

Victoria McNeile is completing a PhD at Birkbeck on the evolution, representation and politics of London squares.

Henderson Downing is researching psychogeography in literature and urbanism at Birkbeck, University of London. He has written for various journals and magazines and is a regular contributor to AA Files and Outside Left.

Esther Leslie is Professor of Political Aesthetics at Birkbeck, University of London and has a website www.militantesthetix.co.uk

*** made with www.bookleteer.com ***

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  • October Newsletter | Proboscis
    [...] In the Shadow of Senate House by Hatherley, McNeile, Downing & Leslie http://diffusion.org.uk/?p=1575 The Rustification of Henry Thomas Brown…
    Comment posted on 11-2-2009 at 16:16

Home » eBooks, StoryCubes, Transformations
The Octuplet: Story of Our Lives by Babette Wagenvoort
Submitted by on July 7, 2009 – 8:50 amOne Comment

BW_Octuplets_Story_classic_coverBW_Octuplets_Story_cube1

BW_Octuplets_Story_cube2BW_Octuplets_Story_cube3

Download A4 | US Letter PDF 3.4Mb
StoryCube 1 PDF 1.6Mb
StoryCube 2 PDF 1.6Mb
StoryCube 3 PDF 1.6Mb

AboutThe Octuplet: Story of Our Lives is the first published story in English by Dutch visual artist and illustrator Babette Wagenvoort. It tells the strange story of eight human-beings living inside their mother, while they prepare for their future. One of the octuplets seems better equipped for life than the others…  Much like Babette’s visual work this story balances between reality and fiction, between poetry and prose.

Published July 2009 in the Diffusion Transformations series

Babette Wagenvoort (MA RCA) is best known for her red drawings from the series ‘Life According To A Rectilinear Personality‘, which she published daily on her website for years.  As an illustrator she has worked for several publications like VPRO Gids, De Volkskrant, Vrij Nederland, Opzij and Hollands Maandblad in The Netherlands and the BBC, Le Gun and Dazed & Confused in the UK. Her drawings can be found as commissioned public art works and animations in schools, as wallpaper designed for Maxalot, but also as wall drawings, animations and installations within more regular exhibition spaces. She teaches drawing at the Royal Academy of Art (KABK) in The Hague and is curator of ‘Volkskrant Oog‘, an online platform for artists of the Dutch newspaper De Volkskrant. A new book with Babette’s drawings called ‘Mood Swing – An Alphabet of Moods’ will come out in July/August 2009.

*** a classic landscape eBook & StoryCubes created with the new Diffusion Generator ***

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Home » Dodolab, Learning, Schools & Education, StoryCubes
StoryCubes at Dodolab #3
Submitted by on May 13, 2009 – 5:25 pmNo Comment

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Combined word cloud from Days 1 to 3 of the DodoLab at WEEC5

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Day 3 Word Cloud from DodoLab at WEEC5

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StoryCubes at DodoLab #2
Submitted by on May 12, 2009 – 5:31 pmNo Comment

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Wordle word cloud from Day 2’s StoryCube contributions at WEEC5.
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StoryCubes in action at DodoLab
Submitted by on May 11, 2009 – 10:17 pmNo Comment

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Word cloud from 1st day’s contributions

Montréal IMG_0263.JPG

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Dodolab StoryCube by Giles Lane
Submitted by on May 8, 2009 – 12:47 pmNo Comment

dodo_storycube_1-1 dodo_storycube_1-2

Download A4 only PDF 700Kb

About : This double-sided StoryCube has been designed for the Dodolab intervention at the 5th World Environmental Education Congress in Montréal, May 10-14 2009. Dodolab is a collaborative and creative intervention exploring different approaches to the concept of sustainability, resilience and adaptability. It is organised by Andrew Hunter of Render @ University of Waterloo and Shawn van Sluys of Musagetes Foundation. Giles Lane of Proboscis will be participating to engage delegates in creating a landscape of ideas using the cubes, as well as social mapping activities using a Buckminster Fuller Dymaxion Map.

Published May 2009

Giles Lane is an artist, researcher and teacher. He founded and is co-director of Proboscis, a non-profit creative studio based in London where, since 1994, he has led projects such as Urban TapestriesSnoutMapping PerceptionExperiencing DemocracyEveryday Archaeology; and Private Reveries, Public Spaces. Giles is a Visiting Tutor on the MA Design Critical Practice at Goldsmiths College (University of London) and is a Research Associate of the Media and Communications Department at London School of Economics. Giles was elected a Fellow of the Royal Society of Arts in 2008 for his contribution to community development through creative practice.

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H2O by Alejandra Canales, Anne Ransquin and Juan F. Salazar
Submitted by on March 25, 2009 – 8:50 amOne Comment

h2o_cover solidliquidgas_storycube_1-1
solidliquidgas_storycube_2-1 solidliquidgas_storycube_3-1

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H2O eBook A4 | US Letter PDF 258Kb
H2O StoryCubes A4 only PDF 3.83Mb

AboutH2O looks at the materiality of water to speculate on its cultural and political significance at the turn of the 21 century. We can begin reflecting on who we are and what we want to become by understanding the place that water holds in social life and cultural change.

Published March 2009 in the Diffusion Transformations series

Alejandra Canales is a Chilean-born performance artist and independent filmmaker, concerned with the social and political dimensions of artistic practice. Based in Sydney since 1998, she has undertaken studies in film and video production and has worked in several roles for independent films. In 2005 she completed a Master Honours at AFTRS where she directed two documentaries A Silence Full of Things and Switch on the Night. Currently she is a recipient of a scholarship to complete a Doctorate of Creative Arts at University of Wester Sydney where she works on the project Rendering Water: a documentary fiction on the cultural future of water. She also received an Ian Potter Cultural Trust grant to progress on her new multi-platform documentary film Solid_Liquid_Gas_H20.

Anne Ransquin is a Belgian photographer and historian working across photography, design, film and community media. She has participated in as well as conducted several photographic workshops such us Suburbancrossings digital photography workshop with young refugees from Sudan and Chad in collaboration with Information and Cultural Exchange and the University of Western Sydney. She has also contributed to several independent film projects in Chile, Australia and Belgium in her capacity as a still photographer as well as an assistant director. Currently she is developing a photodocumentary project in Arles and will assist Spanish artists at the Biennal of Contemporary Arts in La Havana/Cuba (March 2009). She is a member of the Belgian photographers collective, Collectif Caravane.

Juan Francisco Salazar is a Chilean born, Sydney-based media anthropologist and video maker. He lectures in communication and media studies at the University of Western Sydney where he is also a research member in the Centre for Cultural Research. He has published extensively in areas of indigenous and community media, climate change and social change. He has produced several documentaries and experimental films which have been exhibited internationally.

1 comment - Latest by:
  • Lee Johnson
    I wish more artists wuld make the trip to Cuba like Anne Ransquin, the more they see of outside culture…
    Comment posted on 10-17-2009 at 08:55

Home » StoryCubes, Transformations
3 Cubic Conundrums by Raqs Media Collective
Submitted by on January 29, 2009 – 12:19 pmNo Comment

raqs_storycube_1raqs_storycube_2raqs_storycube_3

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About : 3 Cubic Conundrums by Raqs Media Collective, 2009
 – The Curse of Invariable Good Fortune
 – Door to Door to Door
 – The Fugitive Never Escapes Himself

Published January 2009  in the Diffusion Transformations Series

The Raqs Media Collective (Jeebesh Bagchi, Monica Narula & Shuddhabrata Sengupta) has been variously described as artists, media practitioners, curators, researchers, editors and catalysts of cultural processes. Their work, which has been exhibited widely in major international spaces and events, locates them squarely along the intersections of contemporary art, historical enquiry, philosophical speculation, research and theory – often taking the form of installations, online and offline media objects, performances and encounters. They live and work in Delhi, based at Sarai, Centre for the Study of Developing Societies, an initiative they co-founded in 2000. They are members of the editorial collective of the Sarai Reader series, and have curated “The Rest of Now” and co-curated “Scenarios” for Manifesta 7.

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Marseille Mix – along the beach by William Firebrace
Submitted by on December 19, 2008 – 8:45 amNo Comment

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Aboutalong the beach – a disturbing but enlightening encounter. Sixth in a series of 6 eBooks and StoryCubes published weekly, feuilleton style.

Marseille Mix
My first encounters with Marseille were in the cinema, in films such as The French ConnectionLa Ville est Tranquille and Taxi. It seemed a strange place, dangerous, not conventionally beautiful, down at heel, but somehow attractive. I decided on the basis of this cinematic introduction that this was the city I wished to write about – exactly because it did not coincide in any way with what I considered to be a city, because of its defiance.

Marseille is an irreconcilable mix – of different cultures, different societies, different ideas about the planning, different images, different gastronomies. It evokes fantasy as much as objectivity. As a city it inspires dislike and fear but also pride and love.

It is not possible to investigate this city in a linear, coherent fashion, since the city is in no way linear or coherent.

Marseille Mix contains various methods of writing – narrative, essay, recipe, lists, conversations, chance remarks, and others. Sometimes it flows easily enough, sometimes it accepts the need for contradiction, disruption, lack of resolution. Of course the book is not really exactly like the city – it is a personal investigation, with its own points of view.

Published November 2008 in the Diffusion Transformations Series

William Firebrace is an architect, and teaches in various London schools of architecture. He has published one book, Things Worth Seeing (Black Dog 2001), has completed a second, Awake, and is now finishing a third, Marseille Mix, which should appear in 2009.
Unit 2, Bartlett School of Architecture, UCL

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Marseille Mix – turn down the heat by William Firebrace
Submitted by on December 12, 2008 – 8:45 amNo Comment

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StoryCube A4 only PDF 752Kb

About : turn down the heat – a gastronomic investigation. Fifth in a series of 6 eBooks and StoryCubes published weekly, feuilleton style.

Marseille Mix
My first encounters with Marseille were in the cinema, in films such as The French ConnectionLa Ville est Tranquille and Taxi. It seemed a strange place, dangerous, not conventionally beautiful, down at heel, but somehow attractive. I decided on the basis of this cinematic introduction that this was the city I wished to write about – exactly because it did not coincide in any way with what I considered to be a city, because of its defiance.

Marseille is an irreconcilable mix – of different cultures, different societies, different ideas about the planning, different images, different gastronomies. It evokes fantasy as much as objectivity. As a city it inspires dislike and fear but also pride and love.

It is not possible to investigate this city in a linear, coherent fashion, since the city is in no way linear or coherent.

Marseille Mix contains various methods of writing – narrative, essay, recipe, lists, conversations, chance remarks, and others. Sometimes it flows easily enough, sometimes it accepts the need for contradiction, disruption, lack of resolution. Of course the book is not really exactly like the city – it is a personal investigation, with its own points of view.

Published November 2008 in the Diffusion Transformations Series

William Firebrace is an architect, and teaches in various London schools of architecture. He has published one book, Things Worth Seeing (Black Dog 2001), has completed a second, Awake, and is now finishing a third, Marseille Mix, which should appear in 2009.
Unit 2, Bartlett School of Architecture, UCL

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Marseille Mix – withstanding the gaze by William Firebrace
Submitted by on December 4, 2008 – 2:16 pmNo Comment

Download A4US Letter PDF 379Kb
StoryCube A4 only PDF 703Kb

Aboutwithstanding the gaze – a germanic literary diversion.  Fourth in a series of 6 eBooks and StoryCubes published weekly, feuilleton style.

Marseille Mix
My first encounters with Marseille were in the cinema, in films such as The French ConnectionLa Ville est Tranquille and Taxi. It seemed a strange place, dangerous, not conventionally beautiful, down at heel, but somehow attractive. I decided on the basis of this cinematic introduction that this was the city I wished to write about – exactly because it did not coincide in any way with what I considered to be a city, because of its defiance.

Marseille is an irreconcilable mix – of different cultures, different societies, different ideas about the planning, different images, different gastronomies. It evokes fantasy as much as objectivity. As a city it inspires dislike and fear but also pride and love.

It is not possible to investigate this city in a linear, coherent fashion, since the city is in no way linear or coherent.

Marseille Mix contains various methods of writing – narrative, essay, recipe, lists, conversations, chance remarks, and others. Sometimes it flows easily enough, sometimes it accepts the need for contradiction, disruption, lack of resolution. Of course the book is not really exactly like the city – it is a personal investigation, with its own points of view.

Published November 2008 in the Diffusion Transformations Series

William Firebrace is an architect, and teaches in various London schools of architecture. He has published one book, Things Worth Seeing (Black Dog 2001), has completed a second, Awake, and is now finishing a third, Marseille Mix, which should appear in 2009.
Unit 2, Bartlett School of Architecture, UCL

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Marseille Mix – dangerous liaisons by William Firebrace
Submitted by on November 28, 2008 – 2:15 amOne Comment

Download A4US Letter PDF 376Kb
StoryCube A4 only PDF 752Kb

About : dangerous liaisons – some short and seedy criminal narratives. Third in a series of 6 eBooks and StoryCubes published weekly, feuilleton style.

Marseille Mix
My first encounters with Marseille were in the cinema, in films such as The French ConnectionLa Ville est Tranquille and Taxi. It seemed a strange place, dangerous, not conventionally beautiful, down at heel, but somehow attractive. I decided on the basis of this cinematic introduction that this was the city I wished to write about – exactly because it did not coincide in any way with what I considered to be a city, because of its defiance.

Marseille is an irreconcilable mix – of different cultures, different societies, different ideas about the planning, different images, different gastronomies. It evokes fantasy as much as objectivity. As a city it inspires dislike and fear but also pride and love.

It is not possible to investigate this city in a linear, coherent fashion, since the city is in no way linear or coherent.

Marseille Mix contains various methods of writing – narrative, essay, recipe, lists, conversations, chance remarks, and others. Sometimes it flows easily enough, sometimes it accepts the need for contradiction, disruption, lack of resolution. Of course the book is not really exactly like the city – it is a personal investigation, with its own points of view.

Published November 2008 in the Diffusion Transformations Series

William Firebrace is an architect, and teaches in various London schools of architecture. He has published one book, Things Worth Seeing (Black Dog 2001), has completed a second, Awake, and is now finishing a third, Marseille Mix, which should appear in 2009.
Unit 2, Bartlett School of Architecture, UCL

1 comment - Latest by:
  • Jay Fluck
    This has got some great reviews so I will download and check it out thank you. :)
    Comment posted on 11-7-2009 at 17:58

Home » eBooks, StoryCubes, Transformations
Marseille Mix – ideal city by William Firebrace
Submitted by on November 21, 2008 – 1:41 pmOne Comment

Download A4US Letter PDF 405Kb
StoryCube A4 only PDF 752Kb

Aboutideal city – a personal tour of the destruction and reconstruction of the city. Second in a series of 6 eBooks and StoryCubes published weekly, feuilleton style.

Marseille Mix
My first encounters with Marseille were in the cinema, in films such as The French ConnectionLa Ville est Tranquille and Taxi. It seemed a strange place, dangerous, not conventionally beautiful, down at heel, but somehow attractive. I decided on the basis of this cinematic introduction that this was the city I wished to write about – exactly because it did not coincide in any way with what I considered to be a city, because of its defiance.

Marseille is an irreconcilable mix – of different cultures, different societies, different ideas about the planning, different images, different gastronomies. It evokes fantasy as much as objectivity. As a city it inspires dislike and fear but also pride and love.

It is not possible to investigate this city in a linear, coherent fashion, since the city is in no way linear or coherent.

Marseille Mix contains various methods of writing – narrative, essay, recipe, lists, conversations, chance remarks, and others. Sometimes it flows easily enough, sometimes it accepts the need for contradiction, disruption, lack of resolution. Of course the book is not really exactly like the city – it is a personal investigation, with its own points of view.

Published November 2008 in the Diffusion Transformations Series

William Firebrace is an architect, and teaches in various London schools of architecture. He has published one book, Things Worth Seeing (Black Dog 2001), has completed a second, Awake, and is now finishing a third, Marseille Mix, which should appear in 2009.
Unit 2, Bartlett School of Architecture, UCL

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