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Pharmaceutical Cubes PDF 1.2Mb 

About : While watching the 6:00 nightly news on one of the major U.S. television networks recently, I was struck by the amount of ads placed there by the pharmaceutical industry. From bladder control to mood-enhancement, an elderly viewership is clearly receptive to these types of products. But what struck me more than the frequency with which these ads ran was the fact that half of the, say, two-minute ad was given up to a double-speed announcer warning of the drug’s side-effects. For a full minute, what sounded to my ears like a new type of sound poem emerged: a litany of complaints and horrors that arise from steady use of these “wonder” drugs. The text was spoken so fast that I could barely understand what was being uttered.

Curious to know more, I went on the drug’s websites and found more than I ever could imagine. Zoloft, for example, provides a 43-page information PDF beginning with a chilling opening paragraph entitled “Suicidality in Children and Adolescents.” The first sentence reads, “Antidepressants increased the risk of suicidal thinking and behavior (suicidality) in short-term studies in children and adolescents with Major Depressive Disorder (MDD) and other psychiatric disorders.” It’s a numbing document for reasons both having to do with the terrifying content as well as the sheer amount of it: Zoloft is nearly 7,000 words long.

I have often talked about how today in writing, quantity has trumped quality; it is the writer’s job to manage the amount of available language. In sculpting these documents, I found my perfect material. Squeezed into 1-point type, then justified, I created columns of unreadable texts: words as texture. When folded into cubes, these warnings – secretly embedded into the pills we take – are reconstituted into three-dimensional forms, creating a new type of placebo. If language, as William S. Burroughs claims, is a virus from outer space, then this panacea for our psychotropic ills – delivered in linguistic torrents – proves Burroughs right by having opposite effect of virally compounding our diseases rather than curing them.

Published October 2008 in the Diffusion Transformations Series

Kenneth Goldsmith‘s writing has been called “some of the most exhaustive and beautiful collage work yet produced in poetry” by Publishers Weekly. Goldsmith is the author of ten books of poetry, founding editor of the online archive UbuWeb, and the editor of I’ll Be Your Mirror: The Selected Andy Warhol Interviews, which was the basis for an opera, “Trans-Warhol,” that premiered in Geneva in March of 2007. An hour-long documentary on his work, “sucking on words: Kenneth Goldsmith” premiered at the British Library in 2007. Kenneth Goldsmith is the host of a weekly radio show on New York City’s WFMU. He teaches writing at The University of Pennsylvania, where he is a senior editor of PennSound, an online poetry archive.
More about Goldsmith can be found at:
http://epc.buffalo.edu/authors/goldsmith/
http://en.wikipedia.org/wiki/Kenneth_Goldsmith

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About : insideout is a playful 27 page comic-booklet about the contradictions of affection (with ghosts). This work was created during his residency with Proboscis UK in August 2008 – visit the project’s mini-site to read it online, download the eBook or Matt’s actual drawings and read about Matt’s process:

In the spirit of this format’s advocation of creating and sharing ideas, I’ve decided to –

+  release this little ditty completely free;
+  release this work’s hi-res images for use under the creative commons attribution-noncommercial-share alike license; and
+  open up some insight into my materials and process.

Published August 2008

Matt Huynh is a comic creator and illustrator based in Sydney, Australia. In August 2008 he visited London for a Diffusion residency at Proboscis’ studio in Clerkenwell.

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About : Anytime is an artist’s statement by illustrator Matt Huynh about his Diffusion Residency at Proboscis in August 2008.

Published September 2008

Matt Huynh is an artist and illustrator, and member of the artists collective Popperbox. www.matthuynh.com

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About : Proboscis are running a creative workshop on September 18th at ZAIM, Yokohama as part of the Dislocate08 festival. The workshop is the initial stage of our research for Sensory Threads, engaging artists, urbanists, designers, technologists, musicians and dancers in an active investigation into the sensorial patterns and rhythms to be found in our environment. The area around ZAIM in Yokohama will become our research field as we seek out and evidence the recurring, overlapping and intersecting sounds and movements that take place as we act in, and react to, our environment.

Sensory Threads is a work-in-progress to develop an instrument enabling a group of people to create a soundscape reflecting their collaborative experiences in the environment. For this interactive sensory experience, we are designing sensors for detecting environmental phenomena at the periphery of human perception as well as the movement and proximity of the wearers themselves. Possible targets for the sensors may be electro-magnetic radiation, hi/lo sound frequencies, heart rate etc). The sensors’ datastreams will feed into generative audio software, creating a multi-layered and multi-dimensional soundscape feeding back the players’ journey through their environment. Variations in the soundscape reflect changes in the wearers interactions with each other and the environment around them. We aim to premiere the work in 2009.

Sensory Threads is being created by Proboscis in collaboration with Birkbeck College’s Pervasive Computing Lab, The Centre for Digital Music at Queen Mary (University of London), the Mixed Reality Lab at the University of Nottingham and the School of Management at University of Southampton.

Published September 2008.

Proboscis is an artist-led creative studio based in London, UK. The Sensory Threads workshop is being led by Giles Lane and Karen Martin with Frederik Lesage.

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Selected and Introduced for Short Work by Chris Meade, Director, if:book London

Attempting to remember my own things past recently, I thought back to first reading the opening overture of Swann’s Way as a teenager on holiday in Ireland. This astounding, swirling, sensuous evocation of the process of recollection unfolds voluptuously to create a mindscape of Marcel. I still haven’t read the whole book, but the opening remains one of my favourite pieces of prose, sonorous and delicious. 

It was a revelation to first encounter this book which described how exactly we struggle to tease strands of dreams back into consciousness, how complex is the fabric of our musings and yearnings of nostalgia. And it’s impossible to write about Proust without trying and failing to write like him, sentences coiling and drifting  like cigar smoke.

Recently I was on the underground pretentiously carrying over my shoulder the “Proust Society of America” book bag which I bought on a trip to New York for a meeting at the Mercantile Library where that society meets. On the tube a man sitting opposite asked if I’d read Proust, then told me that since his retirement he’d read the whole thing six times but never met anyone else who had even dipped in. He’d heard of the New York group, but found nothing like it in London. When I posted this news on the if:book blog (www.futureofthebook.org/blog), I soon heard from a London-based Proust Close Reading Group. It’s good to know that the Web connects Lost Time lovers too, because I’ve just been listening to another pundit sounding off on Radio 4 about the limited attention span of the digital generation.  Of course my frenetic, twittering, mashed up excuse for a brain may find it hard to marshal a rational counter argument, but I believe that attending, Proust-like, to how exactly the mind works as it multi-tasks and clicks through layers to uncover depths beneath will surely be more fruitful than indulging in the same old moral panic about what’s newly new. There’s a magic about the transliterate way people read the world in the 21st Century, and we need a Marcel to document the texture and quality of that engagement.  

Chris Meade
August 2008

Marcel Proust (1871-1922) was a French writer, best known for Remembrance of Things Past.

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About : At the Water’s Edge
Finding that so much of her work on human relationships to land and urban space leads to issues around rivers and water Alice Angus is beginning a series of water based investigations exploring different perspectives of what it means to care for the environment and how it can affect the way in which water environments are managed and cared for. The dialogues are being recorded and shared as Diffusion eBooks and StoryCubes. Through encounters, journeys and conversations with people who experience rivers in different ways the series aims to bring the discussion of environmental issues to a human dimension and consider how human creativity, spirituality and inventiveness in everyday life; from city workers to gardeners, urban planners to bus drivers, amateur botanists to academics is both witness to environmental change and fundamental to creating solutions to environmental issues.

A Conversation with Joyce Majiski
Joyce Majiski is an artist, naturalist and river and wilderness guide whose work focuses on the natural world. This eBook includes excerpts from a conversation with Joyce about two rivers; the Tatshenshini and the Firth. Both wilderness rivers in North Western Canada.

Published August 2008

Alice Angus, co-director of Proboscis, is an artist inspired by rethinking concepts and perceptions of landscape and human relationships to the land. Over the last six years she has been creating a body of art work exploring concepts proximity and remoteness, technology and presence, against the lived experience and local knowledge of a place. In 2003, Alice was the only non-Canadian to participate in the first Artist in the Park residency in Ivvavik National Park in the Northern Yukon, organised by Parks Canada.

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About : This eBook is one component of the Community Story Telling Project of the Dundas Museum and Archives, a series of initiatives which offer opportunities for sharing memories, ideas and stories. The eBook was developed by Lisa Hunter during a residency with Proboscis in July/August 2008, and focuses on a unique and popular object in the collection of the Dundas Museum and Archives, the Button Doll. This unusual object was created between 1929 and 1932 by Emma Lewis of Hamilton, Ontario, Canada, and was donated to the museum in 1964. This eBook invites museum visitors to look carefully at the doll, and share their reflections and observations about it.  A series of eBooks focusing on a variety of objects in the collection of the museum will be produced using this format. 

Published August 2008

Lisa Hunter is Collections Manager at the Dundas Museum and Archives, a community history museum in Dundas, Ontario, Canada.  In addition to caring for a large social history collection, she develops exhibitions and related community outreach projects.  She has worked in a variety of roles in museums and galleries across Canada, and holds a Master of Museum Studies from the University of Toronto.

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About : Part of an ongoing series of narrative projects by Canadian artist, writer and curator Andrew Hunter. Inspired by a found stuffed toy, the series features a central character whose history and identity is constantly evolving and shifting based on the context of each presentation. This eBook captures the core elements of the third project in the series which took place in Hamilton, Ontario, Canada in the spring of 2008. Previous projects have been presented at Harbourfront Centre (Toronto) and the Anna Leonowens Gallery at NSCAD University (Halifax, Nova Scotia). 

Published August 2008

Andrew Hunter is the Director/Curator of RENDER, an interdisciplinary art based research, teaching, production and presentation centre at the University of Waterloo, Canada. Hunter also works as an independent artist, writer, and curator and has produced exhibitions, writings and publications for art galleries and museums across Canada, in the United States and Europe. He was a contributor to the Proboscis project Navigating History.

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Selected and Introduced for Short Work by Garrick Jones, musician, academic and founder of the Ludic Group. 

The Great Learning by Confucius was written around 500BC and forms the basis of much of Chinese political discourse and philosophy. These books were required texts for admission to Chinese administration for over 1500 years.  They seek to provide a framework that unites the spiritual and the material with higher goals through self-cultivation, inquiry and learning.

The books are influential today in Chinese thought, were relevant throughout the Communist era, and were used didactically during the reign of the Emperors – as such they are essential reading and provide powerful insight into this great Culture.  They are essentially materialist and promote the agency of the individual within society.

The English composer Cornelius Cardew (1936–1981) famously used them as the libretto for his astonishing compositions – the forms of which were in turn uniquely inspired them.  A set series of musical pieces which can be sung by any number of people, with any level of proficiency – and which, to my mind, demonstrate the emergent outcomes of complex, adaptive systems applying simple instruction sets.

Garrick Jones
July 2008

Confucius (Master Kong/K’ung-tzu, 551-479 B.C.E.) is among the world’s most influential thinkers and teachers, his philosophical teachings guiding the Chinese Empire for over two thousand years.

Sourced from Sacred Texts: www.sacred-texts.com

Alec Finlay has made two wooden box versions of his StoryCubes which are being exhibited in Thoughts Within Thoughts at Arc Projects Gallery in Sofia, Bulgaria (21st June -26th July 2008).

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Proboscis is proud to announce our first ‘StoryBox’ of digitally printed and die-cut StoryCubes: an 8 cube set printed on both sides which enables people to explore Proboscis, our projects, themes and ideas in three dimensions. 

We have a limited number available to buy from our webstore.

This is the first of a number of StoryBoxes which we will be publishing in the next year. Future ones include creative works by sound artist, Loren Chasse; a special set on our Snout project; a 27 cube set about Social Tapestries and a new edition of the Gordon Pask cubes, first shown last year in the Maverick Machines exhibition,  Edinburgh.

Custom Printed StoryCubes
Proboscis is now offering a service to design and manufacture custom printed StoryCubes – e.g. for marketing campaigns or communication projects – for single or double-sided cubes with as many different StoryCube designs as you like.
Please contact us for pricing at sales(at)proboscis.org.uk 

 
A set of 7 StoryCubes created for Survey Sampling International Ltd as marketing tools for their offices in the UK, France, Spain, Holland, Germany and Scandinavia.

I’ve been working recently with Bradford Libraries (West Yorkshire, England) on a few small community engagement projects. They have received funding under the Community Libraries Programme to extend and refurbish the library at Manningham. In June 2008 I was asked to run a public event in the library to engage people with the process and open up a period of consultation.

The intention was to have a two hour early evening slot, with the architect and plans available, plus members of staff of course, but no set programme. So the first condition was to design a consultation event where people are constantly coming and going, but you want to attract their attention, inform them, provoke thinking and capture their views.

The idea of a treasure hunt as a fun way to generate interest quickly became the key component of the event. Working with library staff I developed a set of clues which would require users to go to specific locations in and around the building. The planned extension will be built over part of an existing car park and a community garden will be designed alongside, so we had the chance with the treasure hunt to help people visualise it. I was pretty sure that the Diffusion eBooks would be the ideal mechanism for linking clues to further suggestions and comments.

Here’s how it worked. Visitors were given an eBook, with the first clue printed on the first page. Each clue required the hunter to go to a specific location, inside or outside the library building, where they would find the next clue printed on a set of peel-off labels. They took one of these labels and stuck it onto a space on a new page in the eBook.

We provided space on each page for hunters to write an answer to each clue. Additionally there was a supplementary consultative question, designed to solicit ideas and suggestions for the new building.

So for example, the second clue asked “Where will the disabled parking spaces be?” This required checking the site plans, with the architect on hand to help work out the answer. The hunter then had to pop outside to the specific location, where friendly staff held a folder of labels for clue 3. If necessary, users were shown where the label should be placed in their eBook. The supplementary question asked: “What else is needed to make sure that disabled people have good access to the new library?”

At the location of the answer to the final clue, users found a note saying “Well done! You’ve finished the treasure hunt – please go back to the start and collect your prize.”

We anticipated that some users would rather get on with the hunt, and then perhaps settle down afterwards to write comments in answer to the questions. In practice, we found that most took this course and staff were on hand to encourage and support comment. Nonetheless, it was obvious that a number of hunters lacked confidence writing in the English language and were reluctant to offer any comments. Aware of this, staff engaged most of them in conversation and anyway it didn’t matter – they were in the library, taking part, willingly engaged and ready to contribute in other ways.

What worked well
The treasure hunt clues and the eBooks were developed remotely, with staff locally printing out the eBooks and, never having encountered them before, making them up a day or two in advance. As always, one or two showed greater dexterity than others, but it was done. I travelled to Bradford on the day of the event knowing that the documentation was ready.

In terms of helping to guide people through the treasure hunt process, the eBooks worked flawlessly. No-one got lost or did the clues in the wrong order. And no-one got into any difficulty with the sticking of labels: every one was placed in the right place on the right page.

We printed some eBooks on A3, giving a page format of around 21 x 15cm. These proved more popular and suited being carried around for 15-30 minutes, allowing plenty of space for notes.

What I’d do differently
We had the smaller eBooks printed on yellow paper, but ideally I’d like to introduce some colour in other ways and the obvious place to do this is with the sticky labels.

A key point
It’s important not to see this as an engagement technique in a vacuum. If we did, we wouldn’t get results. We ran this exercise while the library was open, with staff having conversations with users, an SMS option for comments, and other opportunities for people to get involved in the decision-making process. The eBooks fit perfectly in the treasure hunt and the treasure hunt is just one component in an ongoing mix of engagement activities and processes.

Kevin Harris
June 2008

Read Kevin’s post on his Neighbourhoods blog.

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About : an eNotebook created for a Treasure Hunt at Manningham Library, Bristol.

Published June 2008

Kevin Harris is a community development consultant and writer (Local Level). He blogs on neighbourhoods, neighbourliness, social capital and life at local level.

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About : Karen is currently the Director and Curator of Interval. and a Researcher at the Foundation for Art and Creative Technology (FACT) in Liverpool. She is also currently completing her practice-based PhD in Digital Media and Social Practice at the Digital Research Unit, The University of Huddersfield. The interview with Karen covered topics ranging from getting outside of the white cube to the expanding role of the audience. This interview, the second in the series of eBooks that will be released on www.curating.info, is intended to become part of a larger conversation. Comments on the topics raised in this series of eBooks are welcomed, and responses may be collected later into a companion eBook.

Published June 2008

Michelle Kasprzak is a curator, writer, and artist. Since winning the InterAccess Electronic Media Arts Centre Emerging Electronic Artist award early in her career, she has exhibited her work throughout North America and Europe, and has been featured in numerous publications and on radio and television broadcasts syndicated worldwide. She completed her MA in Visual and Media Arts from the Université du Québec à Montréal in spring of 2006, and later that year was awarded a curatorial research residency at the Nordic Institute for Contemporary Art (NIFCA) in Finland. She has published essays on art in CV Photo, Spacing, and Mute, and her most recent curatorial project was Otherworldly, a video programme that is currently touring urban screens around the globe. Michelle is currently based in Edinburgh.
michelle.kasprzak.ca, www.curating.info

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Manchester Beacon Workshop eBook A4 | US Letter PDF 1.8Mb
Manchester Beacon Workshop StoryCubes A4 only PDF 1.9Mb
b.TWEEN StoryCubes A4 only PDF 3.8Mb 

About : The eBook is a document of the ideas, issues and challenges for an “an online service that maps connections between people, places, knowledge and creative activity in Manchester” – an new tool for public engagement and knowledge transfer for Manchester to be commissioned by the Manchester Beacon Project and Just b. Productions. It records the activities of workshop facilitated by Proboscis in Manchester in June 2008; 16 StoryCubes created during the workshop are also available, as well as 24 of the StoryCubes created by delegates and the public at b.TWEEN08 as part of the ‘landscape of ideas’ for the commission brief.

The workshop and StoryCubes installation was facilitated and documented by Proboscis for Just b. Productions by Giles Lane and Karen Martin.

As part of b.TWEEN08 in Manchester, Proboscis is facilitating a StoryCubes ‘landscape of ideas’ to help Just b. Productions and the Manchester Beacon Project define the brief for a new commission to create an online public engagement service that maps connections between people, places, knowledge and creative activity in Manchester. Starting with an initial day-long workshop to scope out the wider issues, aspirations and challenges for the design brief, a series of questions are being posed to the delegates of b.TWEEN to add their comments ideas and suggestions to:

 – Who are the key people and networks that engagement tools should target?
 – What makes engagement tools sustainable?
 – What themes would inspire people to connect using engagement tools?
 – What opportunities should engagement tools offer their participants?
 – What shouldn’t engagement tools be or do?
 – What are reasonable and achievable expectations for engagement tools?
 – What local communities should benefit most from engagement tools?
 – What kinds of links to the physical world should engagement tools have? 

The word cloud (created using Wordle) above was generated from StoryCubes created during the workshop (June 17th) and on the first day of b.TWEEN08 (June 19th). The StoryCubes will be scanned in and shared online as inspirations for creative teams wishing to pitch concept proposals for the commission…

Update: the word cloud after day two

Update 2 : We are really excited to be able to say that the delegates of b.TWEEN voted StoryCubes the Best Interactive Gallery Installation.

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About : 24 StoryCubes making up a ‘landscape of ideas’ created by participants at geeKyoto2008.

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Parts I and II A4 | US Letter PDF 450Kb
Part III A4 | US Letter PDF 280Kb 

Selected and Introduced for Short Work by Sebastian Mary Harrington, associate at the Institute for the Future of the Book.

Alexander Pope’s Essay on Criticism (1711), written when he was only 20, laid the foundations for many of the artistic and critical hierarchies that have remained constant since in the literary world.

The late seventeenth and early eighteenth centuries in London saw the growing mechanisation of print publishing, and a concurrent boom in both literary production and criticism. Equally, new sales and distribution models increasingly enabled writers to make a living independent of the aristocratic patronage that had been their commonest means of support in earlier times. 

The glut of writing, and divorce of that writing from the values and aesthetics associated with the ruling classes, prompted a vigorous tussle for critical supremacy among those who believed themselves qualified to pronounce on literature. A widely influential – and hotly contested – intervention in this tussle, Pope’s Essay on Criticism seeks to antedate his creative activities in the Greek and Roman past, by replacing the overt eulogising of aristocratic values with an insistence on the primacy of the classical canon. Pope aims to draw from this composite ancient and modern canon a set of precepts from which his contemporary literature and criticism can be judged. 

The age of the blogosphere has seen an equivalent explosion in writing, criticism and debate. While few now read Homer, Pope’s essay addresses questions of authority, quality and cultural legitimacy that, online, are as vigorously contested as ever. 

Sebastian Mary Harrington
June 2008 

Alexander Pope (1688-1744) is one of the most acclaimed English poets of the early eighteenth century. Amongst his well known works are The Rape of the Lock, The Dunciad, Essay on Man and his translations of Homer’s The Iliad and The Odyssey.

First Published in London 1711
Sourced from Project Gutenberg

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eNotebook 1 by Graham A4 only PDF 145 Kb 
eNotebook 2 by Michael Evans A4 only PDF 176 Kb 
eNotebook 3 by Agnieska Gryglewicz A4 only PDF 163 Kb 
eNotebook 4 by Laura A4 only PDF 136 Kb 
eNotebook 5 by Lucy K Wills A4 only PDF 180 Kb 
eNotebook 6 by Alex Haw A4 only PDF 197 Kb  

About : Six eNotebooks completed by participants at geeKyoto2008 (Saturday May 17th 2008, Conway Hall London).

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About : a short eBook about Proboscis – what we do, why we do it and who we are.

Proboscis are Alice Angus, Jo Hughes, Giles Lane, Karen Martin, Catherine Williams and Orlagh Woods. Design by Carmen Vela Maldonado.

Download US Letter only PDF 2.75Mb

About : Sublimation is the result of a collaboration between three artists. Tim Graveson is a photographer, Joyce Majiski is a printmaker and multi-media artist, and I make books and paint onto mass-produced books. Tim Graveson, who is my husband, and I and Joyce Majiski went on a rafting trip down the Alsek River in the Yukon Territory of Canada. Joyce was one of the guides on this trip and she had persuaded us to go because of the sheer beauty of the place. The trip culminates at Lowell Lake at the foot of Lowell Glacier — where we camped for a couple of days. When we got back we stayed with Joyce and came up with some ideas for a collaborative exhibition of work based on this trip. And Joyce and I started to make some books together. I also wanted to make some books that would incorporate all of our work. Sublimation turned out to be one book where I could bring all of the strands together. Using a book found by Joyce, I made some pages based on the subject of Sublimation. Until Joyce explained it to me, I thought sublimation only referred to a psychological state, I did not know it had a chemical and an alchemical meaning. While staying with Joyce, I came across one of her eBooks and immediately wanted to design one of my own. After I’d begun the unique altered book on Sublimation, I decided it would be just right for an eBook. In the course of making it I came up with some ideas about page layout using the standard vertical eBook format.

Published May 2008

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About : The first eBook that I made is titled “Notebook Drawing” and I made it just using drawings that I had on hand. I always carry a notebook and pencil with me and afterwards I use the drawings in other art projects and in other books that I make. I didn’t have a subject in mind at that moment, so I used my somewhat obsessive notebook-making as the subject, and created some text for my first Diffusion eBook.  I was not happy with the vertical page flip design of the original ebook and re-thought it in a horizontal format which suited my concept better. When I print this book out for myself, I use an ivory or buff colored paper to simulate the color of the original notebook pages. I felt a little shy about submitting this book because it seems a bit narcisisistic in comparison to the socially engaged work that I see on the Proboscis website.

Published May 2008

Zea Morvitz is an artist living near San Francisco in Northern California. She received an MA in painting from the University of California in Berkeley and has since exhibited work in the U.S. and in Europe. Her current work involves drawing and painting on mass-produced books that were discarded and on their way to landfill. In this work four to sixteen books are arranged on the wall in a grid configuration. She also makes and binds books, working primarily in graphite and mixed media. Trained as a book designer, she continues to be interested in graphic design. She and her husband, photographer Tim Graveson are working on an collaborative project titled “Worked Books” that will be installed at the Market Place Center in Armagh, Northern Ireland in August, 2008. Besides being an artist, Morvitz works as a curator and administrator for Gallery Route One, a small nonprofit, community based art organization in Point Reyes Station.

Download A4 | US Letter PDF 280Kb

About : This eNotebook has been created for geeKyoto2008. Proboscis and the organisers have collaborated to design this notebook for delegates (and others who can’t make it to the event) to share their thoughts and ideas, observations and hopes, fears and aspirations for the future of the planet. The completed eBooks will be collected up, scanned and made into an online library of ideas to inform and help shape future geeKyoto events. If you can’t attend but would like to share your ideas download and make up the eBook, fill it in and post it to Proboscis at 1st Floor, 24 Rosebery Avenue, London EC1R 4SX, UK. We will scan it in and add it to those completed during the event.

geeKyoto2008
Fixing The Broken World
10:00 – 16:30 – Saturday 17th May 2008. Conway Hall, London. £20.

We broke the world. Now what?
A one day conference in central London organised by Mark Simpkins and Ben Hammersley, with designers, technologists, artists, architects, policy-makers, explorers, economists and scientists, and clever people like you, to discuss the future and how we’ll live in it.

Download
Of the Origin and Design of Government in General A4 | US Letter PDF 300Kb
Of Monarchy and Hereditary Succession A4 | US Letter PDF 350Kb
Thoughts on the Present State of American Affairs (Part 1) A4 | US Letter PDF 340Kb
Thoughts on the Present State of American Affairs (Part 2) A4 | US Letter PDF 330Kb
Of the Present Ability of America A4 | US Letter PDF 520Kb
Appendix A4 | US Letter PDF 450Kb

Selected and Introduced for Short Work by Alex Steffen, editor of Worldchanging

Bombarded as we are with advertising and propaganda looking to link products or candidates to the concept of freedom, we tend to lose sight of how radical a set of ideas democracy, personal liberty and human rights really are, and how recently, really, the fight to make them the universal rule began. The best antidote to that forgetfulness is Common Sense, the book that, in a very real sense, can be credited with raising the American public will to revolution. It was a radical and deep document then. It is still radical today. Would that we had more writers with Paine’s passion, skill and clarity today.

Alex Steffen
April 2008

Thomas Paine (1737-1809). Englishman by birth. American by choice. French by decree. Citizen of the World.

First Published in Philadelphia 1776
Sourced from Project Gutenberg

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About : This eBook is by Tak Tran, a member of the Popperbox artist collective, working mainly on the technical side of things. He builds gadgets for art projects, websites and anything else that needs engineering.

As part of the Lattice::Sydney project a simple Sketchbook was produced to explore the projects and ideas being generated in the workshop. It  was created on the Generator and printed out so that it would be filled in by hand  – with space to write, draw, glue and attach. The resulting books are scanned in and remade into eBooks to be shared and distributed.

Lattice::Sydney aims to explore new approaches to creatively transforming our cities and included a workshop with a diverse group of artists and cultural leaders to produce new ideas, perspectives and plans of action. Lattice is part of Proboscis’ larger Lattice East Asia exploring the ways diverse communities engage with their environment and issues of cities and sustainability; viewing the city through the eyes of those who live in it. Lattice is part of the British Council’s “Creative Cities” – a three year cultural and artistic partnership between East Asia and the UK.

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About : This eBook is by Tina Tran, a ‘creative explorer’ and member of the Popperbox artist collective.

As part of the Lattice::Sydney project a simple Sketchbook was produced to explore the projects and ideas being generated in the workshop. It  was created on the Generator and printed out so that it would be filled in by hand  – with space to write, draw, glue and attach. The resulting books are scanned in and remade into eBooks to be shared and distributed.

Lattice::Sydney aims to explore new approaches to creatively transforming our cities and included a workshop with a diverse group of artists and cultural leaders to produce new ideas, perspectives and plans of action. Lattice is part of Proboscis’ larger Lattice East Asia exploring the ways diverse communities engage with their environment and issues of cities and sustainability; viewing the city through the eyes of those who live in it. Lattice is part of the British Council’s “Creative Cities” – a three year cultural and artistic partnership between East Asia and the UK.

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About : This eBook is by Matt Huynh participant in Lattice::Sydney. He is a Sydney based comic creator and illustrator. Huynh’s graphic novels span a diverse variety of genres from surrealist fantasy to polemical essays, dramas and autobiography. His comics work has received recognition from Ledger Award for Excellence in Australian Comic Arts and Publishing, the Australian Cartoonist’s Association, ABC and Sydney Morning Herald. His inky, energetic brushwork has appeared on magazines and prints to clothing, accessories, health resources, tattoos, film, performance projections, vinyl toys and dolls. When he’s not at the drawing table, he can be found conducting instructional workshops, public presentations, exhibitions and live art demonstrations. He’s been known to operate under the pseudonym ‘STiKMAN’, having taken a bad high-school nickname to heart.

As part of the Lattice::Sydney project a simple Sketchbook was produced to explore the projects and ideas being generated in the workshop. It  was created on the Generator and printed out so that it would be filled in by hand  – with space to write, draw, glue and attach. The resulting books are scanned in and remade into eBooks to be shared and distributed.

Lattice::Sydney aims to explore new approaches to creatively transforming our cities and included a workshop with a diverse group of artists and cultural leaders to produce new ideas, perspectives and plans of action. Lattice is part of Proboscis’ larger Lattice East Asia exploring the ways diverse communities engage with their environment and issues of cities and sustainability; viewing the city through the eyes of those who live in it. Lattice is part of the British Council’s “Creative Cities” – a three year cultural and artistic partnership between East Asia and the UK.